Oil Painting Lesson – Introduction to Oil Painting Mediums
Ralph Serpe asked:
Oil painting is a wonderful medium all on its own, but there are modifiers that you can add to the oil paint that can change its behavior. This article will give you an overview of some of the more popular oil painting mediums available to today’s oil painters. The use of oil painting mediums is really a matter of taste and not a requirement. Many artists do not use any mediums at all other then a bit of oil to make the paint more workable, as some paints are quite thick straight from the tube. Other artists swear by certain mediums. It should also be noted that artists differ on opinion when it comes to the effectiveness and quality of oil painting mediums, so you should experiment on your own and form your own opinion. Make sure before using any oil painting medium that you read all warning labels and always work in a well ventilated area. It is also recommended that you work with gloves to protect your skin.
LINSEED OIL
Linseed oil is made from the seed of the flax plant. During its early history, linseed oil had a different role then it has today. Originally it was used as a final varnish for paintings that were created using the egg tempera medium. Linseed oil is used as binder in today’s oil paints. Linseed oil dries thoroughly and forms a strong paint film. Because linseed oil dries slowly, the paint remains in a workable state, enabling the artist to continue working on the painting for some time. When linseed oil ages, it does tend to yellow unfortunately. Many painters avoid using linseed oil with lighter colors like whites and yellows. Below are a few varieties of linseed oils that are available to today’s oil painters.
COLD PRESSED LINSEED OIL
Cold pressed linseed oil is made by extracting the oils from the raw flaxseed. The oil is extracted by using pressure and not heat, thereby creating a linseed oil in its purist form. Cold pressed linseed oil can be used as a binder in oil paints, but can also be used as a medium to thin oil paints, heighten gloss and transparency, and reduce the visibility of brush strokes. Many painters and manufacturers alike feel cold pressed linseed oil is superior in quality to other linseed oils because there is no refinement made to the oil. Cold pressed linseed oil results in a low yield, so this oil does carry a heftier price tag.
STEAM PRESSED OR REFINED LINSEED OIL
When the flaxseed is steam heated and then pressed it yields more oil, thereby making refined linseed oil a more affordable medium for artists and for use as a binder in oil paints. The process of steam heating the flax seeds produces more waste, so this waste has to be removed through a refinement process. The oil is treated with an acid which removes the waste materials. The acid is then neutralized with an alkali solution. Refined linseed oil can be used to thin oil paint and increase brilliance and transparency.
SUN THICKENED LINSEED OIL
Sun thickened linseed oil is a thick bodied medium that is produced using the heat of the sun. An equal amount of both linseed oil and water are mixed together in a container and left in sunlight for several weeks or longer. The water and linseed oil eventually separate resulting in a thicker oil with a honey like consistency. Sun thickened linseed oil is not used as a binder in oil paints but as an independent medium that improves flow and increases gloss. Sun thickened linseed oil has less of a tendency to yellow and speeds drying.
STAND OIL
Stand oil is also a thick bodied medium like sun thickened linseed oil. Linseed oil is heated at a high steady temperature, in an air tight container, which results in a very thick honey like consistency. Stand oil is useful as a glazing medium when mixed with turpentine and damar varnish. Stand oil helps improve the flow and has good resistance to yellowing. Stand oil is a slow drying medium that produces a strong enamel like paint film.
POPPY SEED OIL
Because linseed oil has a tendency to yellow as it ages, other oils have come onto the market. Amongst these oils are poppy seed and safflower oil. Poppy seed oil is extracted from the seeds of the opium poppy. Poppy seed oil is a pale slower drying oil and is less likely to yellow when compared with linseed oil. It is often used with whites, blues and pale colors.
SAFFLOWER OIL
Safflower oil is similar to poppy seed oil in that they both are suitable for whites and light colors. It has less of a tendency to yellow when compared to linseed oil.
WALNUT OIL
Walnut oil is a pale oil that helps make paint more fluid and has good drying power. It has less of a tendency to yellow when compared with linseed oil. Walnut oil has to be stored properly or it can spoil.
LIQUIN
Liquin is a popular oil painting medium. Many artists swear by it and it is definitely worth a try if you have never worked with it before. Liquin improves the flow of oil and alkyd colors and helps in subtle blending and fine detail. It speeds drying and serves as a good medium for glazing.
I hope this article has served as a good overview on oil painting mediums. Remember that working with oil painting mediums is not a requirement. If you are feeling adventurous then choose one medium at a time, experiment and have fun. Happy Painting!
Oil painting is a wonderful medium all on its own, but there are modifiers that you can add to the oil paint that can change its behavior. This article will give you an overview of some of the more popular oil painting mediums available to today’s oil painters. The use of oil painting mediums is really a matter of taste and not a requirement. Many artists do not use any mediums at all other then a bit of oil to make the paint more workable, as some paints are quite thick straight from the tube. Other artists swear by certain mediums. It should also be noted that artists differ on opinion when it comes to the effectiveness and quality of oil painting mediums, so you should experiment on your own and form your own opinion. Make sure before using any oil painting medium that you read all warning labels and always work in a well ventilated area. It is also recommended that you work with gloves to protect your skin.
LINSEED OIL
Linseed oil is made from the seed of the flax plant. During its early history, linseed oil had a different role then it has today. Originally it was used as a final varnish for paintings that were created using the egg tempera medium. Linseed oil is used as binder in today’s oil paints. Linseed oil dries thoroughly and forms a strong paint film. Because linseed oil dries slowly, the paint remains in a workable state, enabling the artist to continue working on the painting for some time. When linseed oil ages, it does tend to yellow unfortunately. Many painters avoid using linseed oil with lighter colors like whites and yellows. Below are a few varieties of linseed oils that are available to today’s oil painters.
COLD PRESSED LINSEED OIL
Cold pressed linseed oil is made by extracting the oils from the raw flaxseed. The oil is extracted by using pressure and not heat, thereby creating a linseed oil in its purist form. Cold pressed linseed oil can be used as a binder in oil paints, but can also be used as a medium to thin oil paints, heighten gloss and transparency, and reduce the visibility of brush strokes. Many painters and manufacturers alike feel cold pressed linseed oil is superior in quality to other linseed oils because there is no refinement made to the oil. Cold pressed linseed oil results in a low yield, so this oil does carry a heftier price tag.
STEAM PRESSED OR REFINED LINSEED OIL
When the flaxseed is steam heated and then pressed it yields more oil, thereby making refined linseed oil a more affordable medium for artists and for use as a binder in oil paints. The process of steam heating the flax seeds produces more waste, so this waste has to be removed through a refinement process. The oil is treated with an acid which removes the waste materials. The acid is then neutralized with an alkali solution. Refined linseed oil can be used to thin oil paint and increase brilliance and transparency.
SUN THICKENED LINSEED OIL
Sun thickened linseed oil is a thick bodied medium that is produced using the heat of the sun. An equal amount of both linseed oil and water are mixed together in a container and left in sunlight for several weeks or longer. The water and linseed oil eventually separate resulting in a thicker oil with a honey like consistency. Sun thickened linseed oil is not used as a binder in oil paints but as an independent medium that improves flow and increases gloss. Sun thickened linseed oil has less of a tendency to yellow and speeds drying.
STAND OIL
Stand oil is also a thick bodied medium like sun thickened linseed oil. Linseed oil is heated at a high steady temperature, in an air tight container, which results in a very thick honey like consistency. Stand oil is useful as a glazing medium when mixed with turpentine and damar varnish. Stand oil helps improve the flow and has good resistance to yellowing. Stand oil is a slow drying medium that produces a strong enamel like paint film.
POPPY SEED OIL
Because linseed oil has a tendency to yellow as it ages, other oils have come onto the market. Amongst these oils are poppy seed and safflower oil. Poppy seed oil is extracted from the seeds of the opium poppy. Poppy seed oil is a pale slower drying oil and is less likely to yellow when compared with linseed oil. It is often used with whites, blues and pale colors.
SAFFLOWER OIL
Safflower oil is similar to poppy seed oil in that they both are suitable for whites and light colors. It has less of a tendency to yellow when compared to linseed oil.
WALNUT OIL
Walnut oil is a pale oil that helps make paint more fluid and has good drying power. It has less of a tendency to yellow when compared with linseed oil. Walnut oil has to be stored properly or it can spoil.
LIQUIN
Liquin is a popular oil painting medium. Many artists swear by it and it is definitely worth a try if you have never worked with it before. Liquin improves the flow of oil and alkyd colors and helps in subtle blending and fine detail. It speeds drying and serves as a good medium for glazing.
I hope this article has served as a good overview on oil painting mediums. Remember that working with oil painting mediums is not a requirement. If you are feeling adventurous then choose one medium at a time, experiment and have fun. Happy Painting!
Oil Painting With No Paint Brush
Ben Jonson asked:
A paintbrush is certainly the most commonly used tool in oil painting. But that does not necessarily imply that paint brushes are indispensable for oil painting. Most people, because they do oil painting with paint brushes, easily forget that there are other ways to apply paint to a surface.
Most people who are knowledgeable about oil painting will agree that palette knives have for long been the traditional oil paint mixing tool. It is indeed a fact that palette knives are ideally suited for creating smooth, consistent mixtures of paint with the medium. At the same time, there is no denying that there is a host of oil painters who go beyond the palette with their knives, straight to the painting surface.
These knives are available in a variety of shapes and sizes and even made in plastic. As all of us are aware, for mixing purposes, just one traditional shape or size might do. But applying paint calls for a range of palette knives to choose from like choosing a set of brushes. When you are attempting to paint with palette knives, experiment with different shapes and sizes to see what produces the best effects. It is generally believed that smaller and thinner knives are ideal for lining, and the bigger ones are more suited for loading on the paint.
There are people who are fond of using stencils into their painting work = particularly when the subject demands a repetitive effect. There are ready-made stencils available in the market or you can make your own with the aid of a stencil kit. But you must take care to use the proper materials or else, the desired results cannot be achieved.
All professional painters will agree that stenciling is not a traditional oil painting method. This is one reason why there are hardly any tutorials. Professional will insist you should still keep in mind the fundamentals of the medium – what is generally known as ‘fat over lean’. It is obvious that very thin paint will bleed around the edges, so it might be necessary to wait until one of the thicker layers of your painting. But it is a fact that stenciling in one of the under layers gives a great effect. However, it is advisable to experiment to find a solution that will fit your needs.
You will soon find rags, sponges and even your own fingers as excellent alternate tools when it comes to oil painting. Professional oil painters claim that it is possible one could create an entire oil painting using rags and/or sponges and without the aid of paint brushes. Sometimes the background color of the painting can be effectively done using just one’s own fingers. Of course, the basic ‘fat over lean rule’ always applies, so bear that in mind when experimenting in any innovative methods.
However, one should exercise caution when painting with your fingers or any other part of your body. You must make sure that the oil color and solvents do not absorb into your skin and then into your bloodstream. This could lead to health problems.
A paintbrush is certainly the most commonly used tool in oil painting. But that does not necessarily imply that paint brushes are indispensable for oil painting. Most people, because they do oil painting with paint brushes, easily forget that there are other ways to apply paint to a surface.
Most people who are knowledgeable about oil painting will agree that palette knives have for long been the traditional oil paint mixing tool. It is indeed a fact that palette knives are ideally suited for creating smooth, consistent mixtures of paint with the medium. At the same time, there is no denying that there is a host of oil painters who go beyond the palette with their knives, straight to the painting surface.
These knives are available in a variety of shapes and sizes and even made in plastic. As all of us are aware, for mixing purposes, just one traditional shape or size might do. But applying paint calls for a range of palette knives to choose from like choosing a set of brushes. When you are attempting to paint with palette knives, experiment with different shapes and sizes to see what produces the best effects. It is generally believed that smaller and thinner knives are ideal for lining, and the bigger ones are more suited for loading on the paint.
There are people who are fond of using stencils into their painting work = particularly when the subject demands a repetitive effect. There are ready-made stencils available in the market or you can make your own with the aid of a stencil kit. But you must take care to use the proper materials or else, the desired results cannot be achieved.
All professional painters will agree that stenciling is not a traditional oil painting method. This is one reason why there are hardly any tutorials. Professional will insist you should still keep in mind the fundamentals of the medium – what is generally known as ‘fat over lean’. It is obvious that very thin paint will bleed around the edges, so it might be necessary to wait until one of the thicker layers of your painting. But it is a fact that stenciling in one of the under layers gives a great effect. However, it is advisable to experiment to find a solution that will fit your needs.
You will soon find rags, sponges and even your own fingers as excellent alternate tools when it comes to oil painting. Professional oil painters claim that it is possible one could create an entire oil painting using rags and/or sponges and without the aid of paint brushes. Sometimes the background color of the painting can be effectively done using just one’s own fingers. Of course, the basic ‘fat over lean rule’ always applies, so bear that in mind when experimenting in any innovative methods.
However, one should exercise caution when painting with your fingers or any other part of your body. You must make sure that the oil color and solvents do not absorb into your skin and then into your bloodstream. This could lead to health problems.
Oil Painting Lesson – an Introduction to Oil Painting Supports
Ralph Serpe asked:
An oil painting support is any surface that oil paint can be applied to. There are a variety of different surfaces that artists use to paint on. Everything from certain woods, canvas, and even metals can serve as supports for oil paint. This article will introduce you to those various supports and hopefully help you decide which support is best for your style of oil painting.
LINEN
Linen is made from the fibers of the flax plant. The plants are harvested and then left to soak in water until the outside of the plant rots away leaving the fibers underneath. The fibers are then processed into yarns or threads which are then woven into canvas. The fibers of the flax plant are long and quite strong and make for a very interesting and durable painting support. Paintings executed on this surface have withstood the test of time. It is for this reason that linen canvas is a favorite amongst professional oil painters. Unfortunately linen canvas is rather expensive and may not be the best option for beginners. If you are interested in learning more about linen canvas, check your local art store or go online and do a search. There are a variety of different linen canvases available, from rolled canvas to pre-stretched. It comes primed for acrylic and oils, or you can get it unprimed as well.
COTTON
Cotton canvas is the most popular support for beginner oil painters. It is a relatively strong material and much cheaper than linen. It has a very even and mechanical weave. There is a big debate going on in the art world over which is the better painting support, linen or canvas? What support will last longer? This is really a matter of personal opinion and taste. I know many artists, including myself, who use cotton canvas exclusively. Other artists swear by linen. If the surface is sized correctly, then your painting will be well protected from rot and will last a long time. So when deciding between linen or cotton, I feel your decision should be based on how you enjoy working with the material itself and not whether or not it will be around in three hundred years. If you are really concerned about the durability of cotton, then purchase a heavy grade cotton canvas and try stretching it yourself. Cotton canvas is available in rolls or pre-stretched, primed or unprimed.
CANVAS PADS
For those artists who may be on a tight budget but still want a descent quality surface to paint on, then canvas pads are a good choice. Canvas pads come in a variety of different sizes and are great for beginners who are just starting out. Canvas pads are great for practice or doing studies. Make certain you get a heavy weight canvas pad suitable to hold oil paint.
MASONITE OR HARDBOARD
Masonite is another popular oil painting support for artists. Masonite is actually a trademarked name for a synthetic hardboard made from wood particles. Hardboard is inexpensive and rigid. If you plan to use large hardboards, it is recommended that you reinforce them with a frame, as they can bow or bend. You can purchase plain hardboards or other varieties like canvas boards, which are hardboards covered with a ready to paint canvas material.
WOOD PANELS
The earliest known oil paintings were created on wood panels made of oak or poplar. The wood was covered with a uniform ground made of animal skin glue and chalk. The ground was then polished smooth to create a surface suitable for oil paint.
Pure hard wood panels are not the most popular ground for oil painters today. They are costly and rather difficult to lug around. A good alternative that oil painters use is plywood. There is good quality plywood available made of birch, poplar or mahogany that is suitable for oil paints if prepared correctly. Do not paint on soft woods such as pine because they contain more resins and do not resist moisture very well.
The above are the more popular oil painting supports in use today. There are others that artists use when they are feeling adventurous. Metals like copper and aluminum are sometimes used as a painting support. Obviously metals are quite heavy, so paintings on this type of support are usually on the smaller side. There are also other fabrics used in oil painting like jute, which is a strong natural fiber with a rough texture.
Your choice of oil painting support really depends on your style of painting. Experiment with the variety of painting supports available and have fun. You will eventually find one that works best for you.
An oil painting support is any surface that oil paint can be applied to. There are a variety of different surfaces that artists use to paint on. Everything from certain woods, canvas, and even metals can serve as supports for oil paint. This article will introduce you to those various supports and hopefully help you decide which support is best for your style of oil painting.
LINEN
Linen is made from the fibers of the flax plant. The plants are harvested and then left to soak in water until the outside of the plant rots away leaving the fibers underneath. The fibers are then processed into yarns or threads which are then woven into canvas. The fibers of the flax plant are long and quite strong and make for a very interesting and durable painting support. Paintings executed on this surface have withstood the test of time. It is for this reason that linen canvas is a favorite amongst professional oil painters. Unfortunately linen canvas is rather expensive and may not be the best option for beginners. If you are interested in learning more about linen canvas, check your local art store or go online and do a search. There are a variety of different linen canvases available, from rolled canvas to pre-stretched. It comes primed for acrylic and oils, or you can get it unprimed as well.
COTTON
Cotton canvas is the most popular support for beginner oil painters. It is a relatively strong material and much cheaper than linen. It has a very even and mechanical weave. There is a big debate going on in the art world over which is the better painting support, linen or canvas? What support will last longer? This is really a matter of personal opinion and taste. I know many artists, including myself, who use cotton canvas exclusively. Other artists swear by linen. If the surface is sized correctly, then your painting will be well protected from rot and will last a long time. So when deciding between linen or cotton, I feel your decision should be based on how you enjoy working with the material itself and not whether or not it will be around in three hundred years. If you are really concerned about the durability of cotton, then purchase a heavy grade cotton canvas and try stretching it yourself. Cotton canvas is available in rolls or pre-stretched, primed or unprimed.
CANVAS PADS
For those artists who may be on a tight budget but still want a descent quality surface to paint on, then canvas pads are a good choice. Canvas pads come in a variety of different sizes and are great for beginners who are just starting out. Canvas pads are great for practice or doing studies. Make certain you get a heavy weight canvas pad suitable to hold oil paint.
MASONITE OR HARDBOARD
Masonite is another popular oil painting support for artists. Masonite is actually a trademarked name for a synthetic hardboard made from wood particles. Hardboard is inexpensive and rigid. If you plan to use large hardboards, it is recommended that you reinforce them with a frame, as they can bow or bend. You can purchase plain hardboards or other varieties like canvas boards, which are hardboards covered with a ready to paint canvas material.
WOOD PANELS
The earliest known oil paintings were created on wood panels made of oak or poplar. The wood was covered with a uniform ground made of animal skin glue and chalk. The ground was then polished smooth to create a surface suitable for oil paint.
Pure hard wood panels are not the most popular ground for oil painters today. They are costly and rather difficult to lug around. A good alternative that oil painters use is plywood. There is good quality plywood available made of birch, poplar or mahogany that is suitable for oil paints if prepared correctly. Do not paint on soft woods such as pine because they contain more resins and do not resist moisture very well.
The above are the more popular oil painting supports in use today. There are others that artists use when they are feeling adventurous. Metals like copper and aluminum are sometimes used as a painting support. Obviously metals are quite heavy, so paintings on this type of support are usually on the smaller side. There are also other fabrics used in oil painting like jute, which is a strong natural fiber with a rough texture.
Your choice of oil painting support really depends on your style of painting. Experiment with the variety of painting supports available and have fun. You will eventually find one that works best for you.
All About Oil Painting Support
August 8, 2009 by admin
Filed under Art And Entertainment
vijay asked:
An oil painting support is nothing but basic surface that oil paint could be applied to. There are a variety of surface available that an artists use to paint on. Everything from some woods, canvas, and as well metals could serve as supports for oil paint. This article would introduce you to those various supports and hopefully assist you decide that support is brilliant for your style of oil painting or oil painting reproduction.
Linen
Linen is shaped from the good fibers of the flax plant. The plants are normally harvested and then left to soak up in the water in anticipation of the outside plant rots away parting the fibers underneath. The fibers are then further processed into yarns and threads that are then natural fiber into canvas. The fibers of the flax plant are long and pretty hard and make for a very striking and long-lasting painting support.
Cotton
Cotton canvas is the mainly well-liked support for oil painter’s that are beginner. It is a comparatively strong material and much-cost effective than linen. It has an extremely even and automatic weave. If the surface were sized appropriately, then your painting would be well confined from rot and would last a long time. If you are in fact concerned about the hard of cotton, then but a heavy grade cotton canvas and attempt stretching it yourself. Cotton canvas is obtainable in rolls or pre-stretched, ready or unprimed.
Canvas pads
For those oil painters who might be on a small budget but yet desire a descent excellence surface to paint on, then canvas pads are most excellent choice. Canvas pads come in a range of different sizes and are huge for beginners that are simply starting out. Canvas pads are huge for practice or doing studies. Confirm you get a heavy weight canvas pad appropriate to hold oil paint.
Wood panels
The earliest known oil painting reproduction was created on wood panels made of oak or poplar. The wood was coated with a consistent ground made of animal skin glue and chalk. The ground was then polished flat to make a surface apt for oil paint. Pure hard wood panels are not the most well liked ground for oil painters today. They are expensive and other than difficult to drag around. A good option that oil painter’s use is plywood.
Your choice of oil painting support actually depends on your fashion of painting. Experiment with the variety of painting supports obtainable and have fun. You would finally find one that works best for you.
Different Types of Oil Paintings Support
vijay asked:
An oil painting support is any kind of surface to which oil paint could be applied to. There are huge varieties of different surfaces, which artists use to paint on. Everything from certain woods, canvas, and as well metals could be used as a supports for oil painting. Following are the various types of oil painting supports that will help you decide the best for your style of oil painting.
Linen
Linen is generally created from the fibers of the flax plant. The fibers are then developed into yarns or threads that are then made into canvas. The fibers of the flax plant are huge and moderately strong and make for an extremely attractive and hard-wearing oil painting support. Paintings carried out on this surface have endured the test of time. It is for this reason that linen canvas is a preferred amongst expert oil painters. There are assortments of different linen canvases accessible in the market, from rolled canvas to pre-stretch. It comes prepared for acrylic and oils, or you could get it unprimed as well.
Cotton
Cotton canvas is the most admired support for starter oil painters. It is a comparatively strong material and much reasonable than linen. It has an extremely even and perfunctory weave. If you are actually worried about the sturdiness of cotton, then purchase a profound grade cotton canvas and try widening it yourself. Cotton canvas is obtainable in rolls or pre-stretched, primed or unprimed.
Canvas pads
For those artists who might be on a tight budget but yet desire a good quality surface for oil paintings, then canvas pads are a superior choice. Canvas pads come in a range of various sizes and are amazing for starters interested in oil painting reproduction. Canvas pads are grand for practice also or doing studies. Make sure you get a heavy weight canvas pad compatible to hold oil paint.
Wood panels
The first known oil paintings were shaped on wood panels made of oak or poplar. The wood was actually covered with a consistent ground made of animal skin paste and chalk. The ground was then elegant smooth to generate a surface appropriate for oil paint.
Your choice of oil painting support actually relies up on your style of painting. Experiment with the different types of oil painting supports accessible in the market and have fun. You would ultimately find one that works best for you.
An oil painting support is any kind of surface to which oil paint could be applied to. There are huge varieties of different surfaces, which artists use to paint on. Everything from certain woods, canvas, and as well metals could be used as a supports for oil painting. Following are the various types of oil painting supports that will help you decide the best for your style of oil painting.
Linen
Linen is generally created from the fibers of the flax plant. The fibers are then developed into yarns or threads that are then made into canvas. The fibers of the flax plant are huge and moderately strong and make for an extremely attractive and hard-wearing oil painting support. Paintings carried out on this surface have endured the test of time. It is for this reason that linen canvas is a preferred amongst expert oil painters. There are assortments of different linen canvases accessible in the market, from rolled canvas to pre-stretch. It comes prepared for acrylic and oils, or you could get it unprimed as well.
Cotton
Cotton canvas is the most admired support for starter oil painters. It is a comparatively strong material and much reasonable than linen. It has an extremely even and perfunctory weave. If you are actually worried about the sturdiness of cotton, then purchase a profound grade cotton canvas and try widening it yourself. Cotton canvas is obtainable in rolls or pre-stretched, primed or unprimed.
Canvas pads
For those artists who might be on a tight budget but yet desire a good quality surface for oil paintings, then canvas pads are a superior choice. Canvas pads come in a range of various sizes and are amazing for starters interested in oil painting reproduction. Canvas pads are grand for practice also or doing studies. Make sure you get a heavy weight canvas pad compatible to hold oil paint.
Wood panels
The first known oil paintings were shaped on wood panels made of oak or poplar. The wood was actually covered with a consistent ground made of animal skin paste and chalk. The ground was then elegant smooth to generate a surface appropriate for oil paint.
Your choice of oil painting support actually relies up on your style of painting. Experiment with the different types of oil painting supports accessible in the market and have fun. You would ultimately find one that works best for you.
