vijay asked:


If in case you’re an artist by yourself, you most likely do not need to read this as your would perhaps already be knowing it. The information given here is for the first-time artists to give a basic understanding on do and don’ts of the art reproduction.

DO’S

1) Apply the oil paint densely, particularly in the foreground to give it a feel so it would stand out as an original oil painting.

2) You need to mix as few colors as probable to get to the preferred outcome. Try to keep it within three colors.

3) When possible in its place of using white to lessen a color, use a color such as lemon yellow or yellow ocher. This would give a less crumbly look and the colors would be cleaner.

4) Blend edges to make softer them in areas, which are in the backdrop and away from the center of interest.

5) Add thick paint to point out highlights such as on rocks, tree foliage etc. Thick paint on a wine bottle in a still life would make it shine more and make a persuasive light reflection.

Don’ts

a) Don’t thin pigment with turpentine, other than usage of linseed oil. However if you require an ink consistency to make thin lines such as three branches etc. this will be the omission since these are only small touches.

b) Do not ever over-mix your colors on your using palette. This would only result into flat and dull areas in your painting.

c) Avoid mixing more than three unlike colors. Be as straight as possible. If you learn the color wheel this would as well be a good help.

Additional Hints:

If in case you add up a very thin layer of linseed oil to your canvas before you start the paint, you would work less trying to stroke the pigment on. This would give you a more workable surface as the paint would slide on. Also you would not require varnishing your painting because it ends up with a shiny look.

Remember that you were the only person that knows the disparity among your palette and a canvas. As far as the pigment is concerned they are both mixing bases, sense you could even mix your paint on either one.

Krista QQ(www.123giftfactory.com) asked:


Before picking up a brush, Learn what lean to fat, value, and more mean and many important terms that you need to learn. Here are terms and tips and every word you need to know about oil painting and it’s necessary termps for producing better paintings.



Long and Short Oil Paint

Oil painting mediums can be used to control the thickness, or consistency, of your oil paint.

Long oil paint means that enough medium has been added that it has very little “peak” (the ability to make small peaks or hills out of the paint) to it. It is smooth and oily. Long paint is used when you want very little brush strokes. Short oil paint is paint straight out of the tube. It is thick and has a lot of “peak” to it, stiff and buttery in consistency.

Some classic mediums are:Linseed Oil, Stand Oil, Safflower Oil, Alkyd Painting Medium etc.



Color Temperature

Color temperature refers to the color’s place on the color wheel. If you divide the color wheel at neutral purple (purple that is neither warm nor cool) and at neutral yellow the wheel will be divided into a “cool” side and “warm” side. Warm colors are colors that have a red tint to them. Cool colors have a blue tint.



Value

Value is the graduation of a color from light to dark. By varying the values in a painting you can achieve what is called contrast, or the sharp difference between light and dark. Adding contrast to a painting adds depth and interest. To see the difference in value in your subject simply put on sunglasses. Your sunglasses will keep you from seeing the actual color, and leave you with just lights and darks.



Layering

There are certain rules that should be followed when painting in oils. These rules keep you from ending up with a muddy mess of a painting.

First, you should always paint from warm to cool, meaning, lay down warm colors first, then cool. This also goes for value, always go from dark to light.

Similarly, you should always lay down your thin paint first (or long paint), getting thicker (short paint) as you go along, using your biggest brush first. Start with big, blocked in objects first, slowly working into more detail toward the end.



* Two typical layering methods for an oil painting as following:

Gesso: Gesso is used to prime a surface or canvass before painting. Basically, it makes paint stick better to the surface. It also keeps it from sinking into the surface. You don’t have to use gesso when painting, but it is worth giving a try.

Varnish: Varnish protects your painting from damage. It is only applied when the painting has thoroughly dried, around six months. Retouch varnish is temporary and can be used as soon as the picture is dry to the touch and can be removed with gum turpentine.

Other familiar ways of layering for oil painting:

1. Canvas

2. Underpainting

3. Thin, long, dark, warm paint

4. Thicker, short, light, cool paint



Now, did you have got an idea about oil painting? try it now!

Ben Jonson asked:


A paintbrush is certainly the most commonly used tool in oil painting. But that does not necessarily imply that paint brushes are indispensable for oil painting. Most people, because they do oil painting with paint brushes, easily forget that there are other ways to apply paint to a surface.

Most people who are knowledgeable about oil painting will agree that palette knives have for long been the traditional oil paint mixing tool. It is indeed a fact that palette knives are ideally suited for creating smooth, consistent mixtures of paint with the medium. At the same time, there is no denying that there is a host of oil painters who go beyond the palette with their knives, straight to the painting surface.

These knives are available in a variety of shapes and sizes and even made in plastic. As all of us are aware, for mixing purposes, just one traditional shape or size might do. But applying paint calls for a range of palette knives to choose from like choosing a set of brushes. When you are attempting to paint with palette knives, experiment with different shapes and sizes to see what produces the best effects. It is generally believed that smaller and thinner knives are ideal for lining, and the bigger ones are more suited for loading on the paint.

There are people who are fond of using stencils into their painting work = particularly when the subject demands a repetitive effect. There are ready-made stencils available in the market or you can make your own with the aid of a stencil kit. But you must take care to use the proper materials or else, the desired results cannot be achieved.

All professional painters will agree that stenciling is not a traditional oil painting method. This is one reason why there are hardly any tutorials. Professional will insist you should still keep in mind the fundamentals of the medium – what is generally known as ‘fat over lean’. It is obvious that very thin paint will bleed around the edges, so it might be necessary to wait until one of the thicker layers of your painting. But it is a fact that stenciling in one of the under layers gives a great effect. However, it is advisable to experiment to find a solution that will fit your needs.

You will soon find rags, sponges and even your own fingers as excellent alternate tools when it comes to oil painting. Professional oil painters claim that it is possible one could create an entire oil painting using rags and/or sponges and without the aid of paint brushes. Sometimes the background color of the painting can be effectively done using just one’s own fingers. Of course, the basic ‘fat over lean rule’ always applies, so bear that in mind when experimenting in any innovative methods.

However, one should exercise caution when painting with your fingers or any other part of your body. You must make sure that the oil color and solvents do not absorb into your skin and then into your bloodstream. This could lead to health problems.

Ralph Serpe asked:

If you want to learn how to oil paint and not sure how to begin, then the following article will prove to be quite helpful in your pursuit to become a good painter.

Before you read on, you will have to try and forget everything you ever learned about oil painting and look at your painting from a new perspective. A recent art class I attended, taught by a master painter, has completely changed the way I approach oil painting and has opened up many new creative doors for me. I hope it will do the same for you.

START WITH A CONCEPT

Up until just recently, I was a very frustrated oil painter. I have 10 or so incomplete paintings collecting dust in the corner of my small studio. I would attempt to complete these 10 or so paintings over and over again, until finally I had to take a step back and try and understand what I was doing wrong.

The reason I lost interest and was unable to complete these paintings, was because I did not have a concept in mind before I started. I would start haphazardly painting without a clear vision of what I really wanted to accomplish with my oil painting.

Concepts are methods for solving problems in a painting. I bet you never saw painting as being a series of problems. Neither did I , but this way of thinking really does make learning how to oil paint more interesting.

What do you want your painting to be about?

Instead of thinking: “My painting is about trees in a field”, start thinking in terms of , “My painting is about the light that falls on the trees in a field”.

When you have a blueprint or roadmap in mind before you start painting, there is no room for diversion. You must stick to your plan.

MASTER YOUR BRUSH

A very important aspect of oil painting is learning how to control your brush. Without good brush control and technique, your effectiveness as a painter is truly limited.

Make sure you have the best possible brushes you can afford. While it is possible to save money on paint and canvas, one should never work with cheap brushes. In my experience, cheaper brushes are simply not worth it. The biggest issue with cheap brushes is with the hairs falling off and becoming embedded in your painting. It is quite annoying.

One of the biggest mistakes artists make, myself included, is not reloading the paint brush enough. I am not sure if this is an act of laziness or fear of wasting paint. Whatever the reason may be, make sure you always have enough paint on your brush so that there is always a layer of paint between your brush and the canvas. Do not try and scrub the paint into the canvas. Paint your strokes and leave them be. Don’t over work your brushstrokes.

MASSING

One great way to get the main ideas of an oil painting down is with a technique called Massing. Massing is about seeing your subject as a whole and not concentrating on all of the fine details.

For instance, lets say you subject is a pineapple. Instead of trying to get down all the various textures and details on your pineapple, think in terms of “planes” of light and shadow.

Add in those planes first and then later on you can put in all of your finer details.

COLOR

Nothing in my opinion, can confuse a painter more, then working with color. I know one of my weaknesses in the beginning was working with too many colors in the same painting which resulted in a muddy nightmare.

I never really took the time to understand how colors interact with one another.

Here are some great tips to keep in mind while working with color in your paintings:

- If you add white to another color, it will make that color cooler and more opaque.

- Instead of adding white to a color to make it brighter, try adding more color instead.

- Don’t be afraid to use black. Many teachers recommend staying away from black, but I beg to differ. Did you know you can get some very nice greens by mixing ivory black with certain blues and yellows?

artsmemory asked:

Early European Interpretations – A Land Without People?

The depiction of Africa’s landscape and its wildlife has an immense history. From rock paintings that are mankind’s oldest continuously practised art form, to modern day oil paintings that still search, experiment, and feel their way down new avenues into the vibrant global art market. Oil paintings of elegant human figures, richly hued animals, and subtle hints of architecture that blend so calmly with this dramatic land, continue to inspire admiration for quality and sophistication.

The craft of oil painting was brought to Africa by white European explorers who chartered their way across the vast terrain of Africa recording the wildlife and landscapes they discovered. Much of this documentation was in the name of science and natural history. These naturalists and artists were inclined to represent the needs of the empire builders and governments who funded their trips. The landscape oil paintings of this time often reflected an idealised view of the continent, an undiscovered Eden, empty and free of its original inhabitants.

An early nineteenth century traveller in the Cape of Good Hope, William Burchell, who was a prolific naturalist as well as an accomplished artist characterises this school of thought. His landscape oil painting, “A Scene on the Gariep River” was so charming that; “It smothers every uneasy sensation of the mind”. This pleasing illustration displays the kind of landscape that Europeans of the time wanted to imagine existed in Africa. These idyllic paintings continued into the twentieth century with the work of J H Pierneef, and the Everard Group. For the majority of travelling European artists, the people they saw were simply part of Africa’s flora and fauna. At the end of the 19th century and the beginning of the twentieth century, major European artists, such as Picasso, began to study African motifs and techniques. This is now called his “African” phase, where Picasso produced many modern oil paintings, straying away from the conventional aesthetic representations, thus taking his artwork to a more philosophical and emotional level.

Progressive Landscape Views – Beyond the Colonial Era

Attitudes towards black African artists and their use of oil in landscape and wildlife paintings was often punitive or criticised, there was a general desire to keep the native artist “tribal”. The experience of one the earliest black South African landscape painters, John Mohl, demonstrates this:

“Mohl was approached by a white admirer and advised not to concentrate on landscape oil paintings, but to paint figures of his people in poverty and misery. Landscape, he was advised, had become the field where Europeans had advanced far in perfecting its painting. In response Mohl challenged this rhetoric and said: “But I am African, and when God made Africa, he also created beautiful landscapes for Africans to admire and paint.”

Through Mohl’s rural and urban landscape paintings he expressed a clear cultural defiance. By painting landscapes Mohl triumphed over the imperial ideals and expectations many Europeans had of the indigenous Artists in Africa. Although this European ideology may have been detrimental to the development of landscape oil painting in Africa, one common energy unites all African artists who choose landscape and wildlife as the subject of their artwork. No African artist whoever he or she may be can forget the material, the human side, the majesty and brilliance of creation.

Contemporary Oil Paintings – The Eternal Vista

Much has changed in Africa during the last century. Oil paintings of the radiant landscapes, the light, the heat, the life and the stunning beauty of this unique land and its wildlife will always be admired by those not fortunate enough to live there. Just as the people during colonial times would marvel at this realm’s incredible wonders, so today people from distant lands also appreciate its splendour. At the turn of the last century the only image of Africa people could behold were precious wildlife and landscape paintings created by artists.

Today in contemporary Britain we have many different media sources to experience the spectacle that is Africa. The Internet, TV, Video-on-Demand, DVD, Interactive games, Multimedia, the list goes on. Within this mélange of infinite images and interaction you may find that the only true way to experience this grandeur is through the eyes of those artists that are still painting the infinite and timeless scenes. Professionally produced and hand painted oil landscapes can truly connect you with the essence that is Africa. If you have visited Africa and followed in the footsteps of the early European artists, you will no doubt have fond memories of the continent. However, to own a contemporary oil painting will induce sentiment and wonder far richer than the memories themselves.

Ralph Serpe asked:


An oil painting support is any surface that oil paint can be applied to. There are a variety of different surfaces that artists use to paint on. Everything from certain woods, canvas, and even metals can serve as supports for oil paint. This article will introduce you to those various supports and hopefully help you decide which support is best for your style of oil painting.

LINEN

Linen is made from the fibers of the flax plant. The plants are harvested and then left to soak in water until the outside of the plant rots away leaving the fibers underneath. The fibers are then processed into yarns or threads which are then woven into canvas. The fibers of the flax plant are long and quite strong and make for a very interesting and durable painting support. Paintings executed on this surface have withstood the test of time. It is for this reason that linen canvas is a favorite amongst professional oil painters. Unfortunately linen canvas is rather expensive and may not be the best option for beginners. If you are interested in learning more about linen canvas, check your local art store or go online and do a search. There are a variety of different linen canvases available, from rolled canvas to pre-stretched. It comes primed for acrylic and oils, or you can get it unprimed as well.

COTTON

Cotton canvas is the most popular support for beginner oil painters. It is a relatively strong material and much cheaper than linen. It has a very even and mechanical weave. There is a big debate going on in the art world over which is the better painting support, linen or canvas? What support will last longer? This is really a matter of personal opinion and taste. I know many artists, including myself, who use cotton canvas exclusively. Other artists swear by linen. If the surface is sized correctly, then your painting will be well protected from rot and will last a long time. So when deciding between linen or cotton, I feel your decision should be based on how you enjoy working with the material itself and not whether or not it will be around in three hundred years. If you are really concerned about the durability of cotton, then purchase a heavy grade cotton canvas and try stretching it yourself. Cotton canvas is available in rolls or pre-stretched, primed or unprimed.

CANVAS PADS

For those artists who may be on a tight budget but still want a descent quality surface to paint on, then canvas pads are a good choice. Canvas pads come in a variety of different sizes and are great for beginners who are just starting out. Canvas pads are great for practice or doing studies. Make certain you get a heavy weight canvas pad suitable to hold oil paint.

MASONITE OR HARDBOARD

Masonite is another popular oil painting support for artists. Masonite is actually a trademarked name for a synthetic hardboard made from wood particles. Hardboard is inexpensive and rigid. If you plan to use large hardboards, it is recommended that you reinforce them with a frame, as they can bow or bend. You can purchase plain hardboards or other varieties like canvas boards, which are hardboards covered with a ready to paint canvas material.

WOOD PANELS

The earliest known oil paintings were created on wood panels made of oak or poplar. The wood was covered with a uniform ground made of animal skin glue and chalk. The ground was then polished smooth to create a surface suitable for oil paint.

Pure hard wood panels are not the most popular ground for oil painters today. They are costly and rather difficult to lug around. A good alternative that oil painters use is plywood. There is good quality plywood available made of birch, poplar or mahogany that is suitable for oil paints if prepared correctly. Do not paint on soft woods such as pine because they contain more resins and do not resist moisture very well.

The above are the more popular oil painting supports in use today. There are others that artists use when they are feeling adventurous. Metals like copper and aluminum are sometimes used as a painting support. Obviously metals are quite heavy, so paintings on this type of support are usually on the smaller side. There are also other fabrics used in oil painting like jute, which is a strong natural fiber with a rough texture.

Your choice of oil painting support really depends on your style of painting. Experiment with the variety of painting supports available and have fun. You will eventually find one that works best for you.

jackwu asked:


If you’ve spent a lot of money just to acquire priceless oil paintings, you’re certainly entitled to be just a wee bit obsessed when it comes to caring, cleaning and minimizing damage to your oil paintings. In this article, we’ve listed three points to ponder to minimize damage to oil paintings.

Framing – I know, I know, the selection of frames to keep your oil paintings should purely be based on its aesthetic value but really, it shan’t be the case if you want to minimize damage to your oil paintings. If your oil painting is done on fabrics, it’s probable that a wooden frame is used to encase it. A wooden frame is also called a stretcher or trainer, by the way. Although there seems to be no harm done caused by wooden frames, you might want to change your opinion later on during extreme temperature changes.

How do these happen? Moisture is easily absorbed by materials like wood and fabric. Both materials also swell when humidity is present and shrinks in its absence. It’s not the same, however, with paint.

The change in size affects the oil painting and may cause the canvas to sag. Okay I know, I’m taking the long cut with this so bear with me. I just want you to understand the basics behind the warning. Now, because frame makers are aware of the changes these materials undergo, they made sure that they’re expendable joints you can use to “key out” the oil paintings and make sure it remain taut.

And the warning – don’t have it keyed out during the cold months of winter because it might cause the painting to TEAR. That’s right, not darken, not get dirtied but TEAR.

Lighting – So now you better about framing. I’m sure you’re more wary this time when it comes to lighting levels. I’ll keep it simple this time, don’t you worry. My warnings about lighting levels will be to the point: Keep oil paintings in locations that are not easily reached by the harsh rays of sunlight.

If you have no options left about where to keep them, then just make do with closed drapes. Secondly, the ideal light level for oil paintings is 200lux. Thirdly, don’t succumb to temptation and illuminate your oil paintings so its glory may be seen by all. I tell you, it would be simply murderous to your oil paintings.

Temperature and Humidity – As this was already briefly discussed already during the framing process, you now know that humidity level can very much affect the surface of your paintings. So what do I advise regarding humidity levels? Basements are just a no-no to your oil paintings. In relation to temperatures, please do think about buying temperature sensors because fluctuations can likewise cause damage to your oil paintings,if you need more information, you can visit my oil painting site http://www.photo2all.com

Clint Jhonson asked:


If you are ready to hang painting on your walls or if you are looking for the perfect present, you have arrived at the right place. The oil paintings are to be regarded as a sort of timeless representation that can make the difference for every décor. The oil painting can also be rich in valuable meaning and you should buy such a gift especially if you are celebrating a new real estate. But you will have to be careful when choosing the oil painting.

There are plenty of factors for you to consider. For instance, if you feel ready to hang painting, you should think twice about the sizes and colors. You should stay away from overwhelming colors that are likely to create a negative atmosphere. Instead, you should choose the panels oil painting that has warming effects. The neutral tones are to be preferred instead of the aggressive ones. By choosing an oil painting that has neutral colors, you will be able to use it in almost every type of room without having to worry about the way it looks on a particular role. You should also choose a custom painting in order not to limit the exposure potential.

By choosing a medium size, you will be able to keep your options and flexibility when it comes to hanging the painting on a particular wall from your house. The oil paintings can be bought online; the only thing that you will have to do is to find a reliable online provider. Purchasing such oil paintings may be the perfect choice especially if you are looking for the perfect gift. Such oil paintings can express your gratitude and affection without being too obvious.

Actually, paintings are timeless and you should think of this when looking for the perfect gift. You need to go no further because the online provider is everything you need in order to purchase the appropriate oil painting that will make the recipient’s day. But if you are ready to have your own panels oil painting, you will have to learn how to handle it. Handling the oil painting can be quite catchy if you do not pay enough attention.

Actually, such a painting should be handled with great care and as little as you can. You will have to make sure that your hands are clean; you must wash your hands before handling the oil paining in order to protect its colors and structure. Your hands should also be free of lotions and grease in order not to alter the painting. You must not lift your oil painting with bare fingers; you should not touch the surface of the painting. Therefore, you must wear cloves in order to protect the tissue of the painting. The colors are to be protected and you may do this by wearing special gloves. You should also protect your oil paintings from direct sunlight; the oil paintings can fade out especially if they are exposed to direct and strong sunlight.

But there are plenty of reasons why you should think of the oil painting as being the perfect gift for anyone you love. The oil painting is a great gift that can impress almost every person. This type of paintings can be regarded as a medium that will be appreciated thanks to its meaningful content. You may choose these paintings especially because they can warm every house thanks to their lively colors. These paintings can be found online; the only thing you should do is to browse the internet in order to find the reliable shops that can deliver your purchased paintings in no time.

But if you are looking for a gift, you should make sure that the purchased painting is a neutral one. This type of painting can make a great gift especially if you are not familiar with the recipient’s tastes or styles. Therefore, you should keep it simple. The oil painting will be enough especially if it is a neutral one. For instance, the landscapes are the perfect choice when looking for a neutral painting. You may also consider the still life because this type of painting is likely to be appreciated by many people including the future recipient.

The oil paintings are extremely useful for various decorative purposes; they can also be used as a strong reminder of special occasions or friends. For instance, the oil painting can stand for the gratitude of having a beautiful job. Therefore, you should consider the oil painting as the perfect gift for your boss.

orsondixon asked:


Oil painting is a technique that has been used by eminent artists to create some of the finest artistic works we have ever known. Leonardo da Vinci’s “Mona Lisa” and “The Last Supper”; Vincent Van Gogh’s “Starry Night” and “Café Terrace at Night”; Michelangelo’s “The Creation of Adam”, are all famous examples of oil painting. It is a difficult process, but once it is mastered, an artist can undoubtedly create oil paintings that are far superior in quality than water color paintings, acrylic paintings and other artistic mediums.

The Initial Preparation

Oil painting is a much superior technique of painting than other processes, such as, water color, charcoal sketch, etc. The linen canvas used in the best quality oil paintings is durable and stiff, letting the artist paint comfortably on it. Also, the pigments used in oil painting are of a special kind, which binds well with the oil used as a base. Linseed oil or walnut oil work best in oil painting. At times resin is combined with the base oil (the product is called varnish) to make the finished product glossy in appearance. The canvas is prepared by stretching it slightly and mounting it on the drawing board with clamps. The paint is mixed with oil and left for some time, allowing the paint to combine properly with the oil.

The Painting Process

In oil painting, the strokes need to be applied steadily, but with measured pressure. Extra pressure put on the brush will end up smudging the color in the finished product. On the other hand, if the pressure is too little, sufficient oil may not be absorbed in the canvas, thus shortening the life of the finished painting. Oil painting thus requires sufficient dexterity on the artist’s part to be done properly, and the correct pressure to be applied can only be determined through continuous practice.

The Finishing

Once the painting is complete and it has dried, the artist usually coats the entire painting with a coat of clear lacquer. This process is called “varnishing”. This process is performed even if the oil used in the painting already had varnishing resin mixed into it. This makes the painting waterproof and greatly extends its life. This finishing must be uniform; any spot left out will gradually degrade the painting over time. Once this process is successfully completed, the varnish is left to dry. Gradually, the colors set perfectly and the varnish dries up, leaving a smooth, glossy finish to the painting.

Creating an oil painting can be a tedious and expensive task. But done successfully, it can leave behind a true masterpiece that is valued by collectors for years after its creation.

oilpaintingchina asked:


Chinese oil paintings and realist oil painting

Chinese oil paintings since the beginning of the fall, and “realism” and “realist painting” has a natural link, or from a certain sense, the beginning of the period of Chinese oil paintings is the “realist painting.” Chinese oil painting in the way of development, “realism” and “realist painting” has always been associated with it.

     Chinese oil paintings and the history of the development of China’s social and cultural development, changes in the history closely linked, it is accompanied by a knowledge of Western and other natural and cultural knowledge to enter China. The starting point for the development of Chinese oil paintings, is well documented from the Ming Dynasty in Ningbo, Zhejiang Jiajingnianjian the Portuguese in the establishment of the Hong Kong Trade Shuangyu base, the painting will bring this art form in China. Later in the Wanlinianjian (European Renaissance painting at this time is an important period in the history of the development), due to religious reasons, the Italian missionary Matteo Ricci to a painting of God, Our Lady of the paintings to China. According to records, the 1610 Tour Wen-hui’s “portrait of Matteo Ricci” has realistic approach, clearly the relationship between brightness, which can be deduced, You Wenhui of China earlier study and practice of European oil paintings. To the Qing Dynasty, many Western missionaries for the court is satisfied that, with the Qing Emperor Kangxi in Beijing between the missionaries and Gongtinghuashi Lang Shining as the representative, he worked in China, the life of 51, after Emperor Kangxi, Yongzheng and Qianlong three dynasties . He used the Western oil painting concepts to the performance of the Chinese characters “Xiangfeirongzhuang map”, opened a real painting with Chinese content of the precedent. Some scholars believe that this also is China’s realist painting “The first map.” The development of early Chinese oil paintings are generally three ways, first missionary to preach the culture, and second, followed by the court to accommodate the culture of painting, and the third is in the cultural and economic exchanges in the “civil painting.” Chinese oil paintings start from the beginning with “realism” style. Some scholars from the Guangdong exported start painting on that Guangdong is the birthplace of Chinese oil paintings, where you can find Chinese realist painting at the initial start of the cultural and artistic works. Some scholars from the Shanghai Museum soil Hill Bay Exploration focus on painting, oil painting that China’s modern master Xu Yong-ching, Ding stunning, ZHOU Xiang, Zhang Hui charge, Zhang Yuguang, such as Ren Bonian, “have received here in Western art education . Territories Bay Hill painting in the Museum, is the court in the northern West painting interrupted,”the Guangzhou coastal export oil painting after painting”in the re-rise of China and Turkey. Although the time across a century, but the history of Shanghai has once again chosen to Western painting East wind of a historic turn for the better, but also laid the future Shanghai will become the basis of a major Chinese oil paintings. “Soil Bay Hill Museum paintings produced sculptures, practice painting, oil painting and home-made paints, specialized manual sketching, realistic atmosphere rich, To become “China’s cradle of Western painting.” Chinese oil painting in the process of development, Transocean Xunmeng, gains Western Modernist painting of the first practice, also gains the Lingqi realist painting, mechanical Moreover, the two can not be separated. “Westernization Movement” to promote Chinese painting in the spread of emerging art education has driven the rise of realism style. The rise of Western painting groups also promote the development of China’s realist painting. Founded in Shanghai in 1915′s “Oriental Art” in the form of groups to promote the spread of Western painting, to promote a scientific attitude to artistic creation, to stand as the main means of painting, drawing Dan Gaoxiang take into account indoor and outdoor paint, and actively promote outdoor Painting, further carry forward the style of realism. After the outbreak of the Sino-Japanese War, Chinese oil paintings into a tortuous and difficult period of development. This “difficult” and the people’s suffering, linked to national survival. Is the most significant artists, in particular, a number of important artists in this period of adversity, in the baptism of war, inspired by passion, real life experience to the suffering and national disaster, in-depth, experience in the rear shoulder Anti-Japanese National Salvation of the great historical mission, this generation of artists in the blood flow to the country and the nation’s destiny, art and life of passion, and the development of Chinese oil paintings were integrated into the subjects of great practical and enhanced the art of profound practical significance.

After new China was founded, the reality of the revolution consciously become the mainstream of Chinese painting art, artists, “as the keynote optimism to the revolution, depicting the revolutionary war and socialist construction in the history of life thriving scene. Uncertainties, accurate and powerful, many Painter common pursuit of the arts realm. “Realist realistic painting was exceptional conditions have been greatly developed. 1955, the Ministry of Culture decided to organize the Central Academy of Fine Arts oil painting courses, employing Soviet the teaching oil painting. courses taught sketching teaching system, students focus on improving the basis for sketching and modeling capability, that art comes from life, to encourage students observe the life and works of attention to the social function, the requirements reflect the fiery creation of real life, and guide students to Themes and topics of the master plot of concern. There is no doubt that this course actively promote the development of China’s realist painting, after training a group of Chinese oil painting industry active in the backbone. Of course, after training in the arts reflect on this practice, there are experts believe the other hand, sketching their teaching methods “and not a sketch of China’s experience in teaching the integration of China’s sketch of teaching methods and style of the sketch based on a single. “In subsequent years, advocates of revolution and revolutionary realism, the combination of romanticism, political and artistic standard, facing the reality of China through ups and realist painting, distort, to reflect on the years and rational thinking. During a return to the reality of the “native intelligence”, advocated by honest approach to the grim portrait of life, to the performance of simple theme Native revealed living in difficult environment in the people’s heat and warmth of the noble dignity. During a realist painting of China’s serious reflection, in summing up both positive and negative lessons for China on the basis of realistic painting of the new knowledge and new exploration. After the seemingly silent and variables, the Chinese contemporary realist painting is still active, being mature. “This door”origin”in the growing depletion of the art form has been dissolved in Chinese people’s aesthetic habits, renewable pleasing to the Chinese oil paintings. Realist painters who are not in order to make an example, it inadvertently to the contemporary Fufan Art presents a necessary accomplishment: To master a kind of art form, is bound to a long-term extraordinary efforts. “

Realist painting walked all the way, hastened the birth of modern Western art of the genre, in the time of the birth of Chinese oil paintings, but also a realist deep zone de Patinagem de traces the art of oil painting. Or that Chinese oil paintings come out in time, undoubtedly have the impression of Western painting and after all the art schools affected, but in essence said that the Chinese oil painting at the starting time of the basic characteristics of a “realist painting.” China’s realist painting of Faren and foreign missionaries preaching the culture is closely linked to that of imported Western painting is not only oil paintings, watercolors, copper engraving, and other kinds of painting, the study of Chinese oil paintings of realism started to explore the introduction of Western art, Depend on a variety of types of art painting and its artistic spirit. The study of Chinese realist painting, but also explore the Westernization Movement, Restoration Reform Movement, the New Culture Movement and other Chinese political and cultural development background, when Kang Youwei Although the history of Western painting there were misreading, but the realism of the Western oil paintings still have problems Insights, in his “Travels 11 countries in Europe,” Rafael praised the painting as “T Yi Yi Miao, lively, more Rao Yun Xiang, Cheng Yi also God,” and “show its health-Yun, who must have independence “And” far from angry, Shenmiao forced true, the name is true also, “These kind words are” realistic. ” Kang Youwei respected realist “classic” and his words deep. Chen Duxiu in the “art of revolution – by Lu Zheng,” also said, “the painter must be realistic, and be able to play to their talent, painting their paintings, ancient Kejiu not charged.” Chen Duxiu on the “art revolution” And “realism” and “spirit of realism,” the idea of the May 4th Movement in the new culture of science, carry forward the spirit of democracy have had a profound impact. Chinese oil paintings in the development process, from time to time there are “local” and “outside,” the academic struggles and the “local” to the advent of Chinese oil paintings dating back over 2,000 years ago with Oil for painting pottery patterns. Academic issues can still explore. And the general sense, of “realism oil paintings and Chinese oil painting”, often starting in the cultural missionaries to preach. Of course, in recent years, there are writings discussed how the evolution of classical realist painting to contemporary “as a new” painting, which involves China should advance with the times realist painting of a problem.

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