Oil Painting Reproductions – the Secret to Affordable Oil
October 30, 2009 by admin
Filed under Painting Mediums
Marcy Ruberto asked:
Art is one of the most incredible aspects of human culture. Only we have the ability to capture our imaginations and perceptions of the world, and put that onto a permanent medium such as canvas. An oil painting can then be shared with others to love and enjoy as well. There are so many beautiful works of art in the world but most are housed in museums and galleries around the world where many people don’t have the chance to see them. Now, however, many talented artists are capturing the beauty of these masterpieces and the general public is being given the opportunity to buy these oil paintings at an affordable price. How? Through an exciting method called oil painting reproduction.
What is an Oil Painting Reproduction?
An oil painting reproduction is basically a recreation of a masterpiece by a new artist. As the name suggests, these pieces are created using oil-based paints on a canvas. Because they are oil painting reproductions, they are considerably more affordable than the originals. Instead of millions of dollars, you could pay less than one hundred dollars.
Perhaps the best part is that you are not purchasing a manufactured copy of the painting. You’re not ordering mass created art. Each oil painting reproduction is hand created by actual painters and artists who have been specially trained so they can carefully and accurately recreate the works of such revered artists as Vincent van Gogh, Claude Monet, and Pablo Picasso and others. Each piece may be a reproduction, but each is also unique with minor differences incorporated by the different artists.
Reasons to Choose an Oil Painting Reproduction
Another amazing thing about these oil painting reproductions is that they have great texture. The oil painting is crisp, clear, and alive on the canvas. The oil painting reproduction creates a breathtaking finished piece of art that will be a focal point or conversation starter in any room.
There are a huge variety of oil painting reproductions to choose from. If you have a favorite artist, you’ll be able to purchase an oil painting reproduction of his or her art. Almost all of the classic masters’ work can be re-created. Even art that was massive in scale can be redone as a smaller oil painting for display in your home. You can have an artist create an oil painting from a photograph that you submit. Imagine hanging an oil painting reproduction of your family portrait over the mantel.
No matter why you buy an oil painting reproduction, whether its because the painting reminds you of a special place, or because it makes your room come alive with color, personality and life, you’re going to love having your very own oil painting reproduction on display for you to enjoy 24/7.
So…it’s time to take down the velvet Elvis and the poker playing dogs, and replace them with fabulous oil painting reproductions! Get the expensive look and feel of original artwork without paying top dollar.
Art Smart Decor was created to provide people with an easy way to be able to afford great artwork. If you’re looking for something that’s alive with personality, maybe a bit on the wacky side, or just something that speaks to your heart, check out www.artsmartdecor.com. Oil painting reproductions are great for gift giving…for the holidays, weddings, graduations, anniversaries or any special occasion.
Art is one of the most incredible aspects of human culture. Only we have the ability to capture our imaginations and perceptions of the world, and put that onto a permanent medium such as canvas. An oil painting can then be shared with others to love and enjoy as well. There are so many beautiful works of art in the world but most are housed in museums and galleries around the world where many people don’t have the chance to see them. Now, however, many talented artists are capturing the beauty of these masterpieces and the general public is being given the opportunity to buy these oil paintings at an affordable price. How? Through an exciting method called oil painting reproduction.
What is an Oil Painting Reproduction?
An oil painting reproduction is basically a recreation of a masterpiece by a new artist. As the name suggests, these pieces are created using oil-based paints on a canvas. Because they are oil painting reproductions, they are considerably more affordable than the originals. Instead of millions of dollars, you could pay less than one hundred dollars.
Perhaps the best part is that you are not purchasing a manufactured copy of the painting. You’re not ordering mass created art. Each oil painting reproduction is hand created by actual painters and artists who have been specially trained so they can carefully and accurately recreate the works of such revered artists as Vincent van Gogh, Claude Monet, and Pablo Picasso and others. Each piece may be a reproduction, but each is also unique with minor differences incorporated by the different artists.
Reasons to Choose an Oil Painting Reproduction
Another amazing thing about these oil painting reproductions is that they have great texture. The oil painting is crisp, clear, and alive on the canvas. The oil painting reproduction creates a breathtaking finished piece of art that will be a focal point or conversation starter in any room.
There are a huge variety of oil painting reproductions to choose from. If you have a favorite artist, you’ll be able to purchase an oil painting reproduction of his or her art. Almost all of the classic masters’ work can be re-created. Even art that was massive in scale can be redone as a smaller oil painting for display in your home. You can have an artist create an oil painting from a photograph that you submit. Imagine hanging an oil painting reproduction of your family portrait over the mantel.
No matter why you buy an oil painting reproduction, whether its because the painting reminds you of a special place, or because it makes your room come alive with color, personality and life, you’re going to love having your very own oil painting reproduction on display for you to enjoy 24/7.
So…it’s time to take down the velvet Elvis and the poker playing dogs, and replace them with fabulous oil painting reproductions! Get the expensive look and feel of original artwork without paying top dollar.
Art Smart Decor was created to provide people with an easy way to be able to afford great artwork. If you’re looking for something that’s alive with personality, maybe a bit on the wacky side, or just something that speaks to your heart, check out www.artsmartdecor.com. Oil painting reproductions are great for gift giving…for the holidays, weddings, graduations, anniversaries or any special occasion.
Concern China Oil Painting Reproduction
Lucas asked:
Concern china oil painting reproduction
China’s low cost and hunger for exports have already changed many industries, from home appliances to food and life. The art world,at least art for the masses,seems to be next,and is emerging as a miniature case study of China’s successful expansion in a long list of small and obscure industries that when taken together represent a sizable chunk of economic activity.
United States customs data show that imports of Chinese oil paintings nearly tripled from 2000 to 2008, with bulk shipments reaching $30.5 million last year. Retail sales are several times that, as the customs data are based on the price that entrepreneurs pay for bulk purchases. The biggest market for oil paintings portrait painting canvas wall art abstract art frames from China turns out to be in Florida condominiums and other second homes being built as part of the global housing market boom. Hotels and restaurants also buy large numbers of Chinese paintings.
China is rapidly expanding art colleges, turning out tens of thousands of skilled artists each year willing to work cheaply. The Internet is allowing these assembly-line paintings to be sold all over the world; the same technology allows families across America to arrange for their portraits to be painted in coastal China. Many of the paintings depict scenes that Chinese artists have never seen. “European landscapes, like the Mediterranean or Venice or Paris, are the best sellers for us,”
As in the United States and Europe, a handful of contemporary painters in China can command hundreds of thousands or even millions of dollars for each of their highly creative works – artists like Chen Yifei, Zhao Wuji and Wu Guanzhong. But the main push by China has been in the broad market for works that retail for $500 or less, with painters who work from postcards or images on the Internet or, in Mr. Zhang’s case, a large, dog-eared copy of an art book in English on van Gogh.
China’s ability to turn what has long been an individual craft into a mass production industry may affect small-scale artists from Rome’s Spanish Steps to the sidewalks along Santa Monica’s beach in California, as well as many galleries and art colonies in between.
Concern china oil painting reproduction
China’s low cost and hunger for exports have already changed many industries, from home appliances to food and life. The art world,at least art for the masses,seems to be next,and is emerging as a miniature case study of China’s successful expansion in a long list of small and obscure industries that when taken together represent a sizable chunk of economic activity.
United States customs data show that imports of Chinese oil paintings nearly tripled from 2000 to 2008, with bulk shipments reaching $30.5 million last year. Retail sales are several times that, as the customs data are based on the price that entrepreneurs pay for bulk purchases. The biggest market for oil paintings portrait painting canvas wall art abstract art frames from China turns out to be in Florida condominiums and other second homes being built as part of the global housing market boom. Hotels and restaurants also buy large numbers of Chinese paintings.
China is rapidly expanding art colleges, turning out tens of thousands of skilled artists each year willing to work cheaply. The Internet is allowing these assembly-line paintings to be sold all over the world; the same technology allows families across America to arrange for their portraits to be painted in coastal China. Many of the paintings depict scenes that Chinese artists have never seen. “European landscapes, like the Mediterranean or Venice or Paris, are the best sellers for us,”
As in the United States and Europe, a handful of contemporary painters in China can command hundreds of thousands or even millions of dollars for each of their highly creative works – artists like Chen Yifei, Zhao Wuji and Wu Guanzhong. But the main push by China has been in the broad market for works that retail for $500 or less, with painters who work from postcards or images on the Internet or, in Mr. Zhang’s case, a large, dog-eared copy of an art book in English on van Gogh.
China’s ability to turn what has long been an individual craft into a mass production industry may affect small-scale artists from Rome’s Spanish Steps to the sidewalks along Santa Monica’s beach in California, as well as many galleries and art colonies in between.
Tips on Oil Painting – Solvents Mediums and Varnishes
October 21, 2009 by admin
Filed under Visual Art
Remi Engels, Ph.D. asked:
If you paint with oils you will need a solvent to clean your brushes and thin your paints. Of course, if you paint with water soluble oils then your solvent will be water.
Turpentine is a standard solvent used to thin ordinary oil paints. You can purchase turpentine in any art supply store or hardware store. In some cases, the kind of turpentine you buy in a hardware store may be fresher because of the shorter turnaround time.
Some artists work with mineral spirits. These are also available in hardware stores. To save money, buy the largest available quantity and use a smaller container when you do your actual painting.
Tube oil paint (i.e., oil paint directly from the tube) can be difficult to manipulate. Some colors are stiffer than others and may be hard to evenly distribute over your canvas. To solve this problem, artists often need to mix their tube paints with a so-called painting medium.
A painting medium is a liquid solution that makes the oil paint smoother and easier to manipulate. Adding any one of a number of different painting mediums changes the consistency of the paint. Some mediums are meant to make the paint thinner for glazing and others are meant to make the paint thicker for impasto painting. There are also mediums to shorten or lengthen the drying.
The most basic medium is regular turpentine. Adding a little turpentine thins oils paint. Another frequently used medium is linseed oil, which makes the paint more fluid but, over time, it also tends to yellow the paint. The most commonly used medium is a combination of turpentine and linseed oil, sometimes with the addition of a little damar varnish.
Begin by experimenting with a half-and-half mixture of turpentine and linseed oil. Because linseed oil slows down the drying process, you may want to increase the proportion of turpentine. A good mixture is three parts of turpentine to one part of linseed oil.
Once you find the medium you like, mix a batch and store it in a tightly sealed jar. As you paint, dip your brush into the medium, then add a little paint, then mix them together on your palette (mixing surface).
Preliminary compositions can be drawn on your canvas with a so-called thin turp wash, i.e., a little bit of paint with a lot of turpentine. A turp wash evaporates very quickly, so you can quickly paint over them.
In general, the more turpentine you use the matter the finish will be and the more linseed oil you use the glossier it will be. If you like robust, permanently visible brushstrokes, you may want to use less medium. Dry brush is one technique where you do not add any medium at all.
Special painting mediums are also available that change the oil paint in different ways. The most common are those that shorten or lengthen the drying time of the oil paint. Check your art supply store or the Internet to see the available types of mediums. All medium bottles will show instructions on how best to use the particular medium.
Oil paintings must be varnished to protect them from undesirable elements such as dirt and toxins. Varnish is a clear solution made from a resin and turpentine or some other solvent.
In art-supply stores you will see two major types, retouching varnish and picture varnish. Depending on the paint layer thickness, it can take six months or more for an oil painting to dry. In the meantime, the surface of the painting needs to be protected with a coat of retouching varnish. After the varnish is applied, the turpentine evaporates, and leaving a thin protective coat. You can apply retouching varnish as soon as the paint feels dry to the touch.
Picture varnish contains more resin than retouching varnish. It should be applied about six months after you complete a painting. If you paint with impasto-like brushstrokes, you may have to wait as long as a year before applying the final coat.
Both types of varnish are applied in the same manner. Using a broad, flat nylon brush, apply the varnish evenly using horizontal strokes. You can also use retouching varnish to brighten dry dull patches in your painting.
If you paint with oils you will need a solvent to clean your brushes and thin your paints. Of course, if you paint with water soluble oils then your solvent will be water.
Turpentine is a standard solvent used to thin ordinary oil paints. You can purchase turpentine in any art supply store or hardware store. In some cases, the kind of turpentine you buy in a hardware store may be fresher because of the shorter turnaround time.
Some artists work with mineral spirits. These are also available in hardware stores. To save money, buy the largest available quantity and use a smaller container when you do your actual painting.
Tube oil paint (i.e., oil paint directly from the tube) can be difficult to manipulate. Some colors are stiffer than others and may be hard to evenly distribute over your canvas. To solve this problem, artists often need to mix their tube paints with a so-called painting medium.
A painting medium is a liquid solution that makes the oil paint smoother and easier to manipulate. Adding any one of a number of different painting mediums changes the consistency of the paint. Some mediums are meant to make the paint thinner for glazing and others are meant to make the paint thicker for impasto painting. There are also mediums to shorten or lengthen the drying.
The most basic medium is regular turpentine. Adding a little turpentine thins oils paint. Another frequently used medium is linseed oil, which makes the paint more fluid but, over time, it also tends to yellow the paint. The most commonly used medium is a combination of turpentine and linseed oil, sometimes with the addition of a little damar varnish.
Begin by experimenting with a half-and-half mixture of turpentine and linseed oil. Because linseed oil slows down the drying process, you may want to increase the proportion of turpentine. A good mixture is three parts of turpentine to one part of linseed oil.
Once you find the medium you like, mix a batch and store it in a tightly sealed jar. As you paint, dip your brush into the medium, then add a little paint, then mix them together on your palette (mixing surface).
Preliminary compositions can be drawn on your canvas with a so-called thin turp wash, i.e., a little bit of paint with a lot of turpentine. A turp wash evaporates very quickly, so you can quickly paint over them.
In general, the more turpentine you use the matter the finish will be and the more linseed oil you use the glossier it will be. If you like robust, permanently visible brushstrokes, you may want to use less medium. Dry brush is one technique where you do not add any medium at all.
Special painting mediums are also available that change the oil paint in different ways. The most common are those that shorten or lengthen the drying time of the oil paint. Check your art supply store or the Internet to see the available types of mediums. All medium bottles will show instructions on how best to use the particular medium.
Oil paintings must be varnished to protect them from undesirable elements such as dirt and toxins. Varnish is a clear solution made from a resin and turpentine or some other solvent.
In art-supply stores you will see two major types, retouching varnish and picture varnish. Depending on the paint layer thickness, it can take six months or more for an oil painting to dry. In the meantime, the surface of the painting needs to be protected with a coat of retouching varnish. After the varnish is applied, the turpentine evaporates, and leaving a thin protective coat. You can apply retouching varnish as soon as the paint feels dry to the touch.
Picture varnish contains more resin than retouching varnish. It should be applied about six months after you complete a painting. If you paint with impasto-like brushstrokes, you may have to wait as long as a year before applying the final coat.
Both types of varnish are applied in the same manner. Using a broad, flat nylon brush, apply the varnish evenly using horizontal strokes. You can also use retouching varnish to brighten dry dull patches in your painting.
Do and Don’ts of Oil Painting
October 20, 2009 by admin
Filed under Art And Entertainment
vijay asked:
If in case you’re an artist by yourself, you most likely do not need to read this as your would perhaps already be knowing it. The information given here is for the first-time artists to give a basic understanding on do and don’ts of the art reproduction.
DO’S
1) Apply the oil paint densely, particularly in the foreground to give it a feel so it would stand out as an original oil painting.
2) You need to mix as few colors as probable to get to the preferred outcome. Try to keep it within three colors.
3) When possible in its place of using white to lessen a color, use a color such as lemon yellow or yellow ocher. This would give a less crumbly look and the colors would be cleaner.
4) Blend edges to make softer them in areas, which are in the backdrop and away from the center of interest.
5) Add thick paint to point out highlights such as on rocks, tree foliage etc. Thick paint on a wine bottle in a still life would make it shine more and make a persuasive light reflection.
Don’ts
a) Don’t thin pigment with turpentine, other than usage of linseed oil. However if you require an ink consistency to make thin lines such as three branches etc. this will be the omission since these are only small touches.
b) Do not ever over-mix your colors on your using palette. This would only result into flat and dull areas in your painting.
c) Avoid mixing more than three unlike colors. Be as straight as possible. If you learn the color wheel this would as well be a good help.
Additional Hints:
If in case you add up a very thin layer of linseed oil to your canvas before you start the paint, you would work less trying to stroke the pigment on. This would give you a more workable surface as the paint would slide on. Also you would not require varnishing your painting because it ends up with a shiny look.
Remember that you were the only person that knows the disparity among your palette and a canvas. As far as the pigment is concerned they are both mixing bases, sense you could even mix your paint on either one.
If in case you’re an artist by yourself, you most likely do not need to read this as your would perhaps already be knowing it. The information given here is for the first-time artists to give a basic understanding on do and don’ts of the art reproduction.
DO’S
1) Apply the oil paint densely, particularly in the foreground to give it a feel so it would stand out as an original oil painting.
2) You need to mix as few colors as probable to get to the preferred outcome. Try to keep it within three colors.
3) When possible in its place of using white to lessen a color, use a color such as lemon yellow or yellow ocher. This would give a less crumbly look and the colors would be cleaner.
4) Blend edges to make softer them in areas, which are in the backdrop and away from the center of interest.
5) Add thick paint to point out highlights such as on rocks, tree foliage etc. Thick paint on a wine bottle in a still life would make it shine more and make a persuasive light reflection.
Don’ts
a) Don’t thin pigment with turpentine, other than usage of linseed oil. However if you require an ink consistency to make thin lines such as three branches etc. this will be the omission since these are only small touches.
b) Do not ever over-mix your colors on your using palette. This would only result into flat and dull areas in your painting.
c) Avoid mixing more than three unlike colors. Be as straight as possible. If you learn the color wheel this would as well be a good help.
Additional Hints:
If in case you add up a very thin layer of linseed oil to your canvas before you start the paint, you would work less trying to stroke the pigment on. This would give you a more workable surface as the paint would slide on. Also you would not require varnishing your painting because it ends up with a shiny look.
Remember that you were the only person that knows the disparity among your palette and a canvas. As far as the pigment is concerned they are both mixing bases, sense you could even mix your paint on either one.
Tips for Maintaining Good Oil Painting Habits
vijay asked:
Following are the tips for you to maintain good oil painting habits:
Tips for saving color:
• Clean away any mixtures near heaps of colors you are setting up to keep.
• Keep a habit to put colors in same place on palette – used up areas must be worn out & wiped for new oil paint for next painting session.
• For disposable palettes scoop off mounds of paint you desire to maintain with your knife and move them to a fresh sheet; if a skin shapes, stab and take away the skin and work with the new color under.
• If you are not regular on painting for a week – cover palette with plastic cover & place in freezer.
• When you desire to clean your palette clean off central mixing area of wooden/acrylic palette, when you are done with your oil painting,
• For caring for tube keep tubes clean, wipe necks & caps.
Caring for your brushes:
• Wipe to take away surplus paint on rags, newspaper, etc.
• Rinse in container of solvent not advisable to soak.
• Clean your oil painting brush with rags, newspaper to immerse up solvent
• You can also use mild soap (shampoo or dawn), put dab in palm of your hand, foam brush in palm moving in circle to work foam into bristles.
• Lather & wash it in lukewarm water until soap suds are snow white, & rinse with clear water; bristles might discolor.
• Press bristles into tidy, solid shape while moist.
• Let it dry and store in jar bristle-end up.
Safety precautions:
• Read labels on oil paints and mediums – some are gently toxic (cadmium colors), so you need to careful with it.
• Avoid consumption of food or smoking while you paint
• Wash hands carefully after oil painting reproduction session; try using lotion to hands before hand, paints would wash off easier
• Some solvents don’t create deadly fumes, any how, must be used in well air room – open a window
• Some solvents are combustible also and toxic (gasoline, kerosene) – stick to turpentine and petroleum stuff made for artist’s use.
Following are the tips for you to maintain good oil painting habits:
Tips for saving color:
• Clean away any mixtures near heaps of colors you are setting up to keep.
• Keep a habit to put colors in same place on palette – used up areas must be worn out & wiped for new oil paint for next painting session.
• For disposable palettes scoop off mounds of paint you desire to maintain with your knife and move them to a fresh sheet; if a skin shapes, stab and take away the skin and work with the new color under.
• If you are not regular on painting for a week – cover palette with plastic cover & place in freezer.
• When you desire to clean your palette clean off central mixing area of wooden/acrylic palette, when you are done with your oil painting,
• For caring for tube keep tubes clean, wipe necks & caps.
Caring for your brushes:
• Wipe to take away surplus paint on rags, newspaper, etc.
• Rinse in container of solvent not advisable to soak.
• Clean your oil painting brush with rags, newspaper to immerse up solvent
• You can also use mild soap (shampoo or dawn), put dab in palm of your hand, foam brush in palm moving in circle to work foam into bristles.
• Lather & wash it in lukewarm water until soap suds are snow white, & rinse with clear water; bristles might discolor.
• Press bristles into tidy, solid shape while moist.
• Let it dry and store in jar bristle-end up.
Safety precautions:
• Read labels on oil paints and mediums – some are gently toxic (cadmium colors), so you need to careful with it.
• Avoid consumption of food or smoking while you paint
• Wash hands carefully after oil painting reproduction session; try using lotion to hands before hand, paints would wash off easier
• Some solvents don’t create deadly fumes, any how, must be used in well air room – open a window
• Some solvents are combustible also and toxic (gasoline, kerosene) – stick to turpentine and petroleum stuff made for artist’s use.
