Ben Jonson asked:


As a known fact oil painting is the most preferred mode of painting by most of the artists as well as the painting fans. The probable reason why it is enjoyed and loved by most of the people is because of the deep and beautiful colors present and the attractiveness which the picture brings to the room when it is hung. Oil paintings have greater scope of being framed beautifully, unlike other forms that do not lent themselves to be framed with metaphorical frames that enhance and add an additional point of attraction to the paintings.

Paintings as such from the ancient times are considered to be a mode by which artists express the beauty which they feel around themselves and thus they present it according to their interpretations. Oil paintings have proven to create a tremendous leap in the creation of the art that looks much realistic and people just groove into the beauty of the oil paintings which have an extremely realistic appearance.

An imaginative and a good artist uses oil paintings as a medium to enhance his piece of work which is created based on his imagination or out of the interpretations which he might have drawn from the objects viewed.  A good artist along with his set of oil paintings can add a life to the objects he paints, especially painting on a canvas gives the paintings a three dimensional look. A good and an imaginative artist can make any paintings renowned by adding a pinch of emotion with just a stroke of a brush to the paintings which might be depicting victorious events or the scenic beauty of nature. Artists have this admirable ability to add life to the objects, thus the different interpretations which the artist draw makes us visualize the inanimate objects in a new way. Now for instance let’s consider a ship which is fighting a terrible storm, an artist possesses the ability to portray the intensity of the nature and thus making us to imagine the fury of nature by viewing the painting. Oil paintings have provided extremely realistic appearances that have added a color to the imaginations of the artist. In 1500A.D the artists made the discovering of making colorful paints by mixing ground natural pigments by using vegetable oil took place. The drying oils which were utilized in the early days were walnut oil, poppy oil, hempseed oil, castor oil and linseed oil. These oils acted as varnishes for protecting the images and thus it helped in the protection of the paintings from damage caused by water.   Thus oil paintings are considered as one of the best medium to put into light the frozen thoughts and provide a realistic view to the paintings.

Remi Engels, Ph.D. asked:


Because oil paints have been used for many centuries, their properties are very well known.

Oil is, even today, still one of the easiest and most forgiving mediums you can work in. Creating an oil painting is in fact relatively easy compared to other mediums such as watercolor or even pastels.

The advantages of oil are many and various. Here are some of the most important ones:

* Oil paints are easily put onto a canvas or panel. You just put some paint on your brush and rub it on the canvas or panel. The paint will generally not run or move.

* Creating a painting becomes a matter of putting the right color paint in the right place. Of course, some artists are better at this than others.

* One great property of oil paints is that they do not change color when they dry as opposed, for example, to acrylics. Oils pretty much stay the same for a long period of time.

* It is very easy to correct a mistake when you paint with oils. Just scrape the paint off with a paint knife and repaint whatever it was you scraped off.

* Oil paint dries very slowly because they consist of small pigment particles suspended in oil.

In fact, each color has its own drying time. But all paints dry slow enough so that you can remove them days and even weeks after they were applied.  This is also the reason why it is so easy to correct mistakes.

Of course, the disadvantage is that they dry … slowly. That means they stay wet longer although there exist mediums that, when mixed in with the paint, can significantly speed up the drying process if that is what you want.

* It is easy to mix tube colors on a palette and is usually done with a brush of paint knife.  There are mediums to thicken the paint into a pasta-like consistency and mediums to thin the paint into a water-like consistency.

* Once a color mixture formula is memorized it is easy to consistently reproduce the mixture. This is less the case with most other mediums.

* The fact that oil paint dries so slowly also gives you more time to work and rework a painting. You have enough time to sleep on certain decisions you need to make. Acrylics, for example, dry much faster and give you less time to ponder your masterpiece before action is required.

* Oil paints are also easily blended. So, it becomes relatively easy to render smooth transitional areas between different colors or values.

* Oils are also amenable to a whole series of techniques each of which yields a different look and feel. One example of such a technique is glazing. In de glazing technique several thin layers of transparent paint are put on top of each other. Each layer must be thoroughly dry before the next one is applied. Once done light is reflected off each layer resulting into an unusual luminosity and brightness.

* Oil can be used on any number of grounds: canvas, panel canvas, glass, wood, paper, etc. each, when done correctly, with excellent and durable results.

These are some of the more important and interesting properties of oil paints that have given this medium the enduring popularity that it has.

Krista QQ(www.123giftfactory.com) asked:


What is oil painting? Oil paints on the canvas. It’s an indisputable definition. I thought that oil painting is more than that.

Any kind of figurative art (including oil painting) is thought of beforehand. The basic rules of studying drawing and painting are very closely connected with the laws of the discipline.



Tip 1. Brushes

You should have many brushes so that not to lose time washing them while working. Take a new brush for every new mix. Use round kolinsky brushes, No.1 to No. 10. To cover larger surfaces, you will need a few #20 to #35 brushes. For final strokes PRIPLAVLENIYE (final blending) you will need a few very soft round and flat average size squirrel brushes. Brushes should be treated very carefully. After every session they should be washed in turpentine and after that in warm water with soap.

Tip 2. Canvas

The canvas should be primed additionally a few more times and in conclusion it should be ground with fine sandpaper. After that the canvas should be scraped with a razor to remove the canvas texture till smooth dead surface similar to the egg’s surface is achieved.

Tip 3. Palette



The palette must be made of hard dark wood, best of all, of pear wood. After work wash the palette with turpentine and scrape it with a razor. Before work wipe the palette with linseed oil.

Tip 4. Paper

The

drawing is made on paper life-size to the smallest details. Then it is transferred to the canvas by carbon-paper. After that the drawing is outlined with brown ink because the first oil layer – IMPRIMATURA (transparent coat that is equal to the middle tone of largest, lightest object in painting) – will wash away the pencil, but the ink will remain visible almost through the last layers.

Tip 5. Still Life Objects

It is very important to have objects for still life in the studio. Don’t be stingy at garage sales and flea markets, you may regret it later.

Tip 6. Lacquer

The lacquer for

IMPRIMATURA is made of 2% of dry DAMAR CRYSTALS and 98% of turpentine. The lacquer for painting is made of 5-10% of dry resin and 90-95 % of turpentine. A couple of lavender oil drops are added directly to the oil-can. Scientists say lavender oil stimulates the brain. However, I think that old masters added it to eliminate the heavy turpentine smell. The lacquer for the final step consists of 30% of DAMAR CRYSTALS, 3% of linseed oil, and 67% of turpentine.

Tip 7. Canvas Cleaning

Before each new layer the canvas (ideally dried during 7 weeks) is carefully wiped with a half of an onion (in order to prepare the dried surface to absorb better) and then with linseed oil. After that the canvas is wiped with a soft piece of cloth.

Tip 8. Mixture

IMPRIMATURA, or the first paint layer. The canvas is covered with a liquid mixture based on Red Ochre, Yellow Ochre Light and Ivory Black (the mixture should have an olive hue).

Tip 9. Basic Set of Paints

The basic set of paints is the following: “Rembrandt” oil colors: Flake White, Yellow Ochre Light, Red Ochre, Burnt Umber, Raw Umber Ivory and Lamp Black (7 Basic Colors), and 4 extra colors (when necessary) which I use in the last layers: Flake Yellow (instead of it also can be used Cadmium Yellow Deep), Madder Lake Deep, Chinese Vermilion, Prussian Blue. But be careful to use these last 4 colors very sparingly.

Tip 10. TEL’NII PODMALYOVOK

The

first and the second TEL’NII (flesh tones: main life colors) PODMALYOVOK (5th and 6th layers). The first TEL’NII PODMALYOVOK is made half a tone lighter and two tones lighter in colors; and half a tone darker and two tones lighter in shadows. The same is true of the second TEL’NII PODMALYOVOK.

Tip 11. PODMALYOVOK

The dead layer – the fourth PODMALYOVOK – is made with white lead, light ocher, red ocher, and burnt bone. The aim of this PODMALYOVOK is penumbra. The picture must look as if its objects were lit with moonlight – olive cold gray color. Colors are applied thickly, half a tone higher, shadows are very transparent, half a tone lower.

Tip 12. LESSIROVKA

The seventh layer — LESSIROVKA : Details of textures, thickly applied highlights, bright reflections, and signature. In this layer you may use additional paints: Prussian blue, red cinnabar, yellow flake (cadmium yellow deep), madder lake deep.

Tip 13. Shadow PODMALYOVOK

The shadow

PODMALYOVOK (the process of creating intermediate layers) is made with Burnt Umber in two layers (2nd and 3rd layers). In the second layer all details are made excluding the texture. In the third layer LESSIROVKA of the main tone masses is made with a big brush.

Tip 14. Music

Many painters get an energy charge from music. Stop listening to any modern music and begin listening only to classical music. Try to begin loving it.

Last, stop looking at modern art and stop loving it. Modern bright colors and hue contrasts destroy the subtle vision of the painter who took risks to study classical painting in our time.

From the 16th century to the beginning of the 20th century artists used the seven layer technique. Like music where there are seven notes, seven keys, and within each there are seven more. 7 days in a week. 7 Layers of Paint. Each layer in oil painting must dry for seven weeks. The energy which we receive from old paintings in museums, like ghosts in old castles with old paintings, is related to this magic figure.

vijay asked:

When you are planning to buy oil paintings for your home it is extremely significant to decide the reason for buying the painting. Usually reason for buying oil painting falls in to three categories: decoration, collection or investment. This article follows some good tips for you to decide what kind would be best suitable for you.

Commonly people are interested in buying oil painting as a picturesque that some thing nice to upload on the wall, some thing that gives you aesthetic and pretty emotional pleasure and might relate on some topic about them selves. It is not purchased as a reason for investment and does not actually require to be original, even the oil painting reproduction would be amazing in that room and be something that owners really loves it.

Oil painting reproductions as well have their worth practically well. To grab attractive works try going around any usual art galleries, note down the artists name and name of oil paintings that you like and then you just need to contact a reproduction artist to copy the same for you. If you are collecting then you would really require deciding on some basic subjects for your collection, what types of art and what type of artists are you going to build your set around. Looking online is again a good idea, as there are now many galleries that are displaying original art from all sorts of artists at every price level. The talent remains in buying art that you really like and enjoys, and at the same time selects pieces, which go together in some way to shape a collection, which feels like it belongs together.

If you are buying oil painting for investment, then buying art for purpose of making money is an unsafe thing to try and top left to experts. It has to be said that anyone who thinks they could spend in contemporary art and then sell it on quickly at a profit is likely to be disappointed. It is always best to gather art that you actually like and maybe, if you are lucky, a long while in the future some of it may be really worth something. If not, at least you had a awesome pleasure.

Ralph Serpe asked:


An oil painting support is any surface that oil paint can be applied to. There are a variety of different surfaces that artists use to paint on. Everything from certain woods, canvas, and even metals can serve as supports for oil paint. This article will introduce you to those various supports and hopefully help you decide which support is best for your style of oil painting.

LINEN

Linen is made from the fibers of the flax plant. The plants are harvested and then left to soak in water until the outside of the plant rots away leaving the fibers underneath. The fibers are then processed into yarns or threads which are then woven into canvas. The fibers of the flax plant are long and quite strong and make for a very interesting and durable painting support. Paintings executed on this surface have withstood the test of time. It is for this reason that linen canvas is a favorite amongst professional oil painters. Unfortunately linen canvas is rather expensive and may not be the best option for beginners. If you are interested in learning more about linen canvas, check your local art store or go online and do a search. There are a variety of different linen canvases available, from rolled canvas to pre-stretched. It comes primed for acrylic and oils, or you can get it unprimed as well.

COTTON

Cotton canvas is the most popular support for beginner oil painters. It is a relatively strong material and much cheaper than linen. It has a very even and mechanical weave. There is a big debate going on in the art world over which is the better painting support, linen or canvas? What support will last longer? This is really a matter of personal opinion and taste. I know many artists, including myself, who use cotton canvas exclusively. Other artists swear by linen. If the surface is sized correctly, then your painting will be well protected from rot and will last a long time. So when deciding between linen or cotton, I feel your decision should be based on how you enjoy working with the material itself and not whether or not it will be around in three hundred years. If you are really concerned about the durability of cotton, then purchase a heavy grade cotton canvas and try stretching it yourself. Cotton canvas is available in rolls or pre-stretched, primed or unprimed.

CANVAS PADS

For those artists who may be on a tight budget but still want a descent quality surface to paint on, then canvas pads are a good choice. Canvas pads come in a variety of different sizes and are great for beginners who are just starting out. Canvas pads are great for practice or doing studies. Make certain you get a heavy weight canvas pad suitable to hold oil paint.

MASONITE OR HARDBOARD

Masonite is another popular oil painting support for artists. Masonite is actually a trademarked name for a synthetic hardboard made from wood particles. Hardboard is inexpensive and rigid. If you plan to use large hardboards, it is recommended that you reinforce them with a frame, as they can bow or bend. You can purchase plain hardboards or other varieties like canvas boards, which are hardboards covered with a ready to paint canvas material.

WOOD PANELS

The earliest known oil paintings were created on wood panels made of oak or poplar. The wood was covered with a uniform ground made of animal skin glue and chalk. The ground was then polished smooth to create a surface suitable for oil paint.

Pure hard wood panels are not the most popular ground for oil painters today. They are costly and rather difficult to lug around. A good alternative that oil painters use is plywood. There is good quality plywood available made of birch, poplar or mahogany that is suitable for oil paints if prepared correctly. Do not paint on soft woods such as pine because they contain more resins and do not resist moisture very well.

The above are the more popular oil painting supports in use today. There are others that artists use when they are feeling adventurous. Metals like copper and aluminum are sometimes used as a painting support. Obviously metals are quite heavy, so paintings on this type of support are usually on the smaller side. There are also other fabrics used in oil painting like jute, which is a strong natural fiber with a rough texture.

Your choice of oil painting support really depends on your style of painting. Experiment with the variety of painting supports available and have fun. You will eventually find one that works best for you.

orsondixon asked:


Oil painting is a technique that has been used by eminent artists to create some of the finest artistic works we have ever known. Leonardo da Vinci’s “Mona Lisa” and “The Last Supper”; Vincent Van Gogh’s “Starry Night” and “Café Terrace at Night”; Michelangelo’s “The Creation of Adam”, are all famous examples of oil painting. It is a difficult process, but once it is mastered, an artist can undoubtedly create oil paintings that are far superior in quality than water color paintings, acrylic paintings and other artistic mediums.

The Initial Preparation

Oil painting is a much superior technique of painting than other processes, such as, water color, charcoal sketch, etc. The linen canvas used in the best quality oil paintings is durable and stiff, letting the artist paint comfortably on it. Also, the pigments used in oil painting are of a special kind, which binds well with the oil used as a base. Linseed oil or walnut oil work best in oil painting. At times resin is combined with the base oil (the product is called varnish) to make the finished product glossy in appearance. The canvas is prepared by stretching it slightly and mounting it on the drawing board with clamps. The paint is mixed with oil and left for some time, allowing the paint to combine properly with the oil.

The Painting Process

In oil painting, the strokes need to be applied steadily, but with measured pressure. Extra pressure put on the brush will end up smudging the color in the finished product. On the other hand, if the pressure is too little, sufficient oil may not be absorbed in the canvas, thus shortening the life of the finished painting. Oil painting thus requires sufficient dexterity on the artist’s part to be done properly, and the correct pressure to be applied can only be determined through continuous practice.

The Finishing

Once the painting is complete and it has dried, the artist usually coats the entire painting with a coat of clear lacquer. This process is called “varnishing”. This process is performed even if the oil used in the painting already had varnishing resin mixed into it. This makes the painting waterproof and greatly extends its life. This finishing must be uniform; any spot left out will gradually degrade the painting over time. Once this process is successfully completed, the varnish is left to dry. Gradually, the colors set perfectly and the varnish dries up, leaving a smooth, glossy finish to the painting.

Creating an oil painting can be a tedious and expensive task. But done successfully, it can leave behind a true masterpiece that is valued by collectors for years after its creation.

Remi Engels, Ph.D. asked:

A ground or support is any kind of surface you can paint on. The choice of ground is in quite important because it determines in part how your painting will be perceived by the viewer.

Your support must satisfy a minimum of conditions. It must accept the paint well (i.e., the paint must stick in one stroke) without absorbing too much of the pigment.

The least expensive oil painting ground is treated paper. It is very useful for practice and even for doing certain commercial work. You can also buy canvas pads. These pads usually contain 10 sheets of medium tooth 5-oz cotton canvas that has been triple-primed with acrylic gesso. The tooth of paper or canvas is the degree of roughness or smoothness of the canvas. You can tape the oil paper or canvas pad paper to a drawing board. Make sure it is secure and does not shift when applying brushstrokes.

Next in line are the popular canvas boards or panels which are sheets of cardboard covered with inexpensive white painted cloth. These panels are very popularity because they are inexpensive (particularly when bought in bulk), easy to store, and easy to carry outdoors. They are however not permanent, i.e., they will deteriorate over time.

Good results can also be obtained from un-tempered Masonite or 3-ply chipboard prepared with three coats of gesso on the front and one coat on the back to prevent warping.

You can also use so-called museum board which is on the order of good-quality mat board. This board is quit absorbent but is inexpensive to practice on.

The ultimate ground for oil painting is canvas stretched over a wooden frame. It has wonderful elasticity and resilience, and history has shown that it has very good permanence. Canvas is of course more expensive but when you’re ready this will be your ground of choice and you’ll never want to go back to anything else.

You can buy commercially pre-stretched canvas. In fact, there are plenty of brands, sizes, weights, and qualities to choose from. Only experience will teach you which type of canvas is best suited to your style and subject matter.

Canvas cloth is either cotton or linen. The finest canvas and most expensive is made of linen, which stretches better and has a better tooth. Cotton can be a bit difficult to prime.

Look for cloth with an even weave. The canvas texture can be tightly woven and smooth to fairly coarse with an open weave. That means the tooth of the canvas can be fine or coarse and anything in-between.

If you paint a lot, even commercially pre-stretched canvas can become expensive. If so, you can buy rolls of primed or unprimed (raw) canvas. Then with stretcher bars you can create a support of a certain size. If you bought unprimed canvas, you still have to prime the canvas with an oil-based primer.

To save money you may be tempted to work on small canvases. This is not recommended. Unless you are an experienced artist, working on a small ground can easily result in tight, overly controlled paintings. So use supports of at least 16″ x 20″.

Remi Engels, Ph.D. asked:

Oil painting brushes come in all different sizes. In fact, there really is not a consistent standard throughout the industry. Sizes are usually given as numbers. For certain brands and certain sets of brushes these numbers can run from 1 to 24, 10 to 100, or 0 to 30, etc.

You will also find size markings such as 00 (or 2/0). A 00 brush is one size smaller than a 0 brush. Similarly, a 000 (or 3/0) brush is one size smaller than a 00 brush or two sizes smaller than a 0 brush.

Note that not all like numbered brushes are the same size.  The actual size depends on the manufacturer and has also to do with the fact that some brushes are manufactured using the imperial system of units and others the metric one. However, you can count on the fact that a higher numbered brush will always be larger than a lower numbered brush. Also, the brushes of a particular series or set will generally be properly sized relative to each other.

The best thing you can do is to physically inspect a set either in an art store or on the Internet (if the merchant shows actual size pictures of the brush set).

One system of measuring brushes in actual measuring units such as millimeters or inches that is in fairly widespread use proceeds as follows:

* Diameter of Brush Head – In this system the diameter of a round brush head is measured at the top edge of the ferrule. The ferrule is the metal ring that holds the brush hair in place on the handle.

* Depth of Brush Head – When you lay a flat brush on the table, then the depth of the brush head is the vertical height of the brush head measured at the top edge of the ferrule.

* Width of Brush Head – The width of a flat brush head is the length of the hair at the top edge of the ferrule measured across the hair. For the flat brush on the table you measure the horizontal width at the top edge of the ferrule. Of course, the width of a round brush is the same as its diameter.

* Length of Brush Head – The length of the brush head is the length measured from the top edge of the ferrule to the tip of the hair along the center of the brush head. For a brush on the table you measure the middle line segment that starts at the top edge of the ferrule and ends at the tip of the brush head.

Brushes should always be measured when dry because when they are wet they expand. Also, do not confuse the width of a brush head with the width of the brush stroke. The width of the brush head is fixed once and for all but the width of a brush stroke varies with pressure, the kind of paint used, the angle of the brush head, and the flexibility of the brush hair.

This brush head measuring information is probably more than you’ll ever want to know. However, it’s a good thing to go through this at least once in a life time.

Ralph Serpe asked:


Oil painting brushes come in a wide variety of sizes and shapes and this can sometimes overwhelm a beginner. This article will provide you with an overview of the various oil painting brushes available and help you decide what kind of brushes you should invest in.

BRUSH TEXTURES

Oil painting brushes come in two different textures basically, and they are classified as hard and soft. Hard brushes are generally referred to as “bristle brushes” and they are quite resilient. Hard brushes are made from hog’s hair and they are strong and stiff. They will hold a good amount of paint and can handle the oil painting medium quite well. I personally prefer working with bristle brushes exclusively as I tend to paint rather rough and direct.

Soft oil painting brushes are made from softer hairs that come from animals like sable, squirrel, or mongoose. Softer brushes will generally give your painting a softer smoother appearance and are more often used for finishing or detailed work. Sable brushes are the most expensive usually but there are synthetic brushes made of nylon that are very good substitutes for sable. They are more resilient and cheaper than sable.

BRUSH SHAPES

There are five shapes to brushes that are generally used and each is meant to have its own function. I prefer to paint with flats, brights and fliberts of various sizes, and only occasionally make use of the other shapes. This is my preference and you will certainly develop your own the longer you paint with oils.

Flats

Flat oil painting brushes have a wide square end with medium to long hairs. Flat brushes generally have a lot of spring to them and can hold a lot of paint. You can use these brushes for broad sweeping strokes or you can turn the brush on its edge to create fine lines. Flat brushes are great for earlier stages of a painting when you are blocking in large areas.

Brights

Bright oil painting brushes are similar in shape to flat brushes but the hairs are shorter. They are best used for making shorter controlled strokes. They do not hold nearly as much paint as a flat brush.

Filberts

The filbert is also similar to the flat brush only the edge of the brush comes to a rounded shape. The hairs of the filbert are medium to long in length. This rounded shape will give you more control then a bright. The filbert is great for blending and figurative work.

Rounds

A round oil painting brush has a round or pointed tip. They hold a nice amount of paint and are great for making thin or thick lines. Use this brush for dabbing on dots or blotches of color. Round brushes are also good for washes, fills and detailed work. They are not suited for creating hard straight edges.

Fans

The fan oil painting brush is a flat fan shaped brush. The fan brush is a specialized brush. It is either used very often by the artist or not at all. It really depends on your style of painting. This brush is not suited for holding paint. It is used more often for blending colors and you should keep this brush clean and dry if you plan to do a lot of blending during a session. The brush will begin to lose its effectiveness when it becomes filled with paint. You may want to keep a few extras on hand.

BRUSH SIZE

Oil painting brushes come in a variety of sizes indicated by numbers as in 1,2,4,6,8,10; size 1 being the smallest and 10 the largest in this example.

BRUSH MANUFACTURERS

Oil painting brushes are made by a number of different manufacturers. A few of the more popular brands are Winsor & Newton, Silver Brush and Robert Simmons. Some artists prefer one brand over another. Other artists like to have an assortment of different brands available. The only way you will know what you like best is by working with the brushes yourself.

CARING FOR YOUR BRUSHES

No matter what brush you buy, whether they are top of the line expensive brushes, or cheaper ones, you will definitely get more life out of them if you care for them properly. There seems to be a difference of opinion when it comes to brush care, especially when it comes to drying your brushes. I personally have two products on hand for cleaning and conditioning my brushes: Masters Brush Cleaner and Preserver and Mona Lisa Pink Brush Soap. I have found that the Masters Brush Cleaner works great on brushes that are deeply stained and hardened with paint, that I would have otherwise thrown out. I use the Mona Lisa Pink Brush Soap to clean my brushes right after a painting session. These cleaners will also help condition your brushes.

After washing my brushes with either of these cleaners, I then attach a clothes pin to the handle of the brush and rest the clothes pin on the edge of a counter or table so that the brush is hanging with the bristles pointing toward the floor. Gravity then pulls the moisture from the brush so that it does not collect in the ferrule, which can damage a brush over time.

I hope this article has helped. Best of luck and happy painting!

Vikram kuamr asked:


Oil paintings have been around as early as when art became known to man. Now they make great decorations for homes and even offices. There is no doubt a room is at its best and most elegant when it highlights a famous oil painting. Oil paintings definitely bring a unique ambience to a room where it hangs. Other people, most often than not, those who are rich are able to make collections of great oil paintings from famous painters as a lifetime hobby. Unfortunately, with the prices with which these oil paintings come, not everybody is lucky enough to be able to afford them. Hence, Paint Your Life has found a solution for everybody who has an eye for these great masterpieces but unluckily cannot afford the original ones.

Paint Your Life is the answer to your dream of having an oil painting reproduction right at your own homes. Imagine Claude Monet’s Poplars on the Banks of the River Epte, The Walk Woman with a Parasol, Grainstacks at the End of the Summer displayed right at your living room. Or maybe have Vincent Van Gogh decorate your bedroom with his Starry Night, Vincent’s Bedroom in Arles Yellow, or The Night Cafe in the Place Lamartine in Arles. These silent dreams of yours are soon to be fulfilled. Paint Your Life is just a click of your mouse away. Or with a few numbers to dial, Paint Your Life will take your orders of your favorite oil paintings and have them delivered right at your doorstep in no time.

Paint Your Life is in the unique business of delivering oil painting reproductions of your choice right at your homes. You will be amazed at the never-ending list of oil reproduction paintings that they have available. You can find the oil painting reproduction that will match your home or office and of course your preferences. At Paint Your Life , you can search oil painting reproductions from three parameters: by artist name (Vincent Van Gogh, Pierre Auguste Renoir, Sandro Botticelli, Edgar Degas, Claude Monet, etc.); by subject (portraits, landscapes, still life, abstract, and many more); or by movement (art nouveau, impressionism, surrealism, pop art, and a whole lot more). With a wide selection of oil paintings that Paint Your Life will offer you, you might find it difficult choosing only one and end up buying more than you initially decided to.

Aside from these options, Paint Your Life also offers reasonable prices for the oil painting reproduction of your choice. The prices of oil painting reproductions at Paint Your Life are dependent on a lot of factors that they consider. Paint Your Life have varying prices for their available oil painting reproductions depending on the size of the oil painting, the level of difficulty of that work of art, and the style or kind of framing that you want your oil painting reproduction be put in. To know how much you will spend for a single order, Paint Your Life is ready to give you some price quotations after filling up their order forms.

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