Ben Jonson asked:


First and foremost thing you should consider before trusting any oil painting method is that it must come with disclaimer. More than any other types of do-it-yourself process, oil painting cleaning must actually be trusted to professional conservators. On the other hand, if your painting does not carry expensive tag, or it is not really old, or not too critical, there are few options to make it look cleaner and brighter yourself. In addition, modifying true antiques in fact decreases their value, whether they look better to you or not.

During 1940s, paintings made from oil on canvas were normally covered with the layer of varnish to incorporate sheen and guard the thick layer of paint, name Impasto. However, varnish usually reacts differently to the surroundings than the paint do, so such varnish seals end up cracking, staining or gumming up over time. It could make the real tint of the oil paints appear dull or discolored.

In case, it looks that your painting has gone older, assess whether your paint is in good condition but the varnish has gone old. Here, try using mild solvent name conservation liquid. Art selling stores would usually sell an “emulsion” intended to clean and take away varnish. There is forever option that this solvent would as well harm or take out the oil paint. If you are eager take this risk then wipe the emulsion with a cotton scrub very carefully. Try to do spot-testing one bend before going on to the total canvas painting. Work in an area where you find sufficient ventilation.

When it comes to recent paintings, you might come across the trouble of build-up of smoke, dust, stain, pet hair (in case you have pets at home), dander, and even fungal development. Here, you need to make sure that none of the paints is prepared to come about the board or canvas, in the sense that it does not display any flakes and cracks. After that, you could watchfully clean up the surface with very dry and soft bristle brush, may be with baby toothbrush or shaving brush.

When the painting surface is steamy, mucky and oily, you might desire to take some steps for cleaning by means of detergent solution. However, usually it is not an good idea to mix up water and oil as the moisture could damage both the impasto and canvas. Moving with caution, you can use fresh cotton cloths dipped in a mixture of dish soap and hot water. Then next you need to lightly blot the base, make sure you don’t scrub or rub on the painting. Never should you allow submerging any part of painting, nor must you let the moisture to drip or pool.

vijay asked:

A Quick Introduction to Oil Painting Models

You will need:

Brushes

Turpentine

Palette

Oil Medium

Paints

Brushes – Good quality sable brushes. Don’t withhold on the quality here. Brushes would last longer with Oil paints than any other medium if you take good care of it.

Modern synthetic brushes could be even more excellent in quality, so don’t restrict your self in choosing only those brushes that are made from natural hairs such as sable. Look for painting brushes where the hairs swiftly spring back up when you bend them. Be careful about cleaning your painting brushes as if acrylic paint dries in a brush, it could be extremely difficult to clean it up.

Turpentine – Turpentine is used for lessening and cleaning brushes.

Palette A palette is a surface on which a painter mixes it colour pigments. A palette might be made of wood, glass, plastic, ceramic tile or even inert material and could vary highly in size and shape. The most usually known type of painter’s palette is made of thin wood board designed to be held in the artist’s hand and rest on the artist’s arm.

Oil Medium – These would speed up the process of drying the paints and also give slight gloss sheen. Turpentine could be used with some of the same effect.

Paints – It is suggested to use “Artist’s” oils. These are the top quality available in any variety with better pigmentation and permanence. Tubes come in different sizes but oils have good covering skill and would even last a long time.

Opacity – Sometimes marked on the tube, opacity shows how transparent the oil is. Red/Yellows are commonly the least opaque.

Permanence – Usually marked on a scale of 1 to 4 (often marked in stars), 4 being most enduring, and (longest lasting).

Hue – Could be exactly described as the Shade of the colour. Can sometimes relate to Opacity

Oil Painting: Making it Simple

Oil painting is simple, far simpler than drawing or even watercolor painting. If you could see something, you could paint it in oils. To create something memorable, however, you need to:

1. Formulate what you hope to attain, and plan a workable way to that objective.

2. Research the market if you desire to sell the work.

3. Approach the painting process in rational steps, which generally entail:

* Drawings to examine compositional possibilities.

* Blockedout charcoal/pencil/oil sketches to place tonal value

* Oil sketches to trial with various color schemes and harmonies.

* Preparing canvas and paint for the probable tasks.

* Varnishing, framing and hanging the work.