vijay asked:


One may come across many advices about cleaning an oil painting, but those tips must come with a major disclaimer. More than other types of rough and ready projects on cleaning oil paintings must really be trusted to professional conservators. Anyhow, if your oil painting is not really old, not terribly valuable, or not too important, there are other potential ways to make it appear good and cleaner yourself. Furthermore altering true antiques more or less forever decreases their value, whether or not they appear better to you.

If it seems that your oil painting reproduction is little older, evaluate whether the paint is in good condition but the varnish has become older. In this case, try applying a gentle solvent known as conservation liquid. Some of the art supply stores may sell an “emulsion” intended to clean and remove varnish. There is always a chance that the solvent would as well harm or remove the oil paint. If you are ready to risk this possibility, pat the emulsion with a cotton swab quite delicately. Try spot testing one corner before moving on to the whole canvas. Work in an area where you find adequate ventilation.

For any of the recent oil paintings, your trouble is more probable a loudening of dust, smoke, pet hair, dander, and other bacterial or fungal growth. In this case, ensure none of the paint is set to come off the canvas or board, sense that it doesn’t display any cracks or flakes. Then you could vigilantly dust the surface with a very soft, dry bristle brush, like a baby toothbrush or shaving cream brush.

When the surface is steamy, dirty, or oily, you might desire to take the cleaning a step further and in fact uses a mild detergent solution. Again, in general speaking, oil and water must never mix, as moisture could be damage both the canvas and the impasto. Proceeding with care, use brand original cotton cloths dipped in a mixture of dish soap and only the warm water. Lightly blot the surface, but do not rub, wipe, or rub at the oil painting. At no point you should sink any part of the painting, nor permit so much moisture that it drips or pools.

vijay asked:


If in case you’re an artist by yourself, you most likely do not need to read this as your would perhaps already be knowing it. The information given here is for the first-time artists to give a basic understanding on do and don’ts of the art reproduction.

DO’S

1) Apply the oil paint densely, particularly in the foreground to give it a feel so it would stand out as an original oil painting.

2) You need to mix as few colors as probable to get to the preferred outcome. Try to keep it within three colors.

3) When possible in its place of using white to lessen a color, use a color such as lemon yellow or yellow ocher. This would give a less crumbly look and the colors would be cleaner.

4) Blend edges to make softer them in areas, which are in the backdrop and away from the center of interest.

5) Add thick paint to point out highlights such as on rocks, tree foliage etc. Thick paint on a wine bottle in a still life would make it shine more and make a persuasive light reflection.

Don’ts

a) Don’t thin pigment with turpentine, other than usage of linseed oil. However if you require an ink consistency to make thin lines such as three branches etc. this will be the omission since these are only small touches.

b) Do not ever over-mix your colors on your using palette. This would only result into flat and dull areas in your painting.

c) Avoid mixing more than three unlike colors. Be as straight as possible. If you learn the color wheel this would as well be a good help.

Additional Hints:

If in case you add up a very thin layer of linseed oil to your canvas before you start the paint, you would work less trying to stroke the pigment on. This would give you a more workable surface as the paint would slide on. Also you would not require varnishing your painting because it ends up with a shiny look.

Remember that you were the only person that knows the disparity among your palette and a canvas. As far as the pigment is concerned they are both mixing bases, sense you could even mix your paint on either one.

vijay asked:


Following are the tips for you to maintain good oil painting habits:

Tips for saving color:

• Clean away any mixtures near heaps of colors you are setting up to keep.

• Keep a habit to put colors in same place on palette – used up areas must be worn out & wiped for new oil paint for next painting session.

• For disposable palettes scoop off mounds of paint you desire to maintain with your knife and move them to a fresh sheet; if a skin shapes, stab and take away the skin and work with the new color under.

• If you are not regular on painting for a week – cover palette with plastic cover & place in freezer.

• When you desire to clean your palette clean off central mixing area of wooden/acrylic palette, when you are done with your oil painting,

• For caring for tube keep tubes clean, wipe necks & caps.

Caring for your brushes:

• Wipe to take away surplus paint on rags, newspaper, etc.

• Rinse in container of solvent not advisable to soak.

• Clean your oil painting brush with rags, newspaper to immerse up solvent

• You can also use mild soap (shampoo or dawn), put dab in palm of your hand, foam brush in palm moving in circle to work foam into bristles.

• Lather & wash it in lukewarm water until soap suds are snow white, & rinse with clear water; bristles might discolor.

• Press bristles into tidy, solid shape while moist.

• Let it dry and store in jar bristle-end up.

Safety precautions:

• Read labels on oil paints and mediums – some are gently toxic (cadmium colors), so you need to careful with it.

• Avoid consumption of food or smoking while you paint

• Wash hands carefully after oil painting reproduction session; try using lotion to hands before hand, paints would wash off easier

• Some solvents don’t create deadly fumes, any how, must be used in well air room – open a window

• Some solvents are combustible also and toxic (gasoline, kerosene) – stick to turpentine and petroleum stuff made for artist’s use.